A Quote by Matt Harvey

I think there's a lot of learning process in figuring out what things you want to do and shouldn't do. Maturing in that way is something that comes with experience and time.
This is a competitive business - there are a lot of women who want these jobs, but experience, education, and smarts go a long way. I'm still figuring it out - I learn new things every day. Once you stop learning, you should get out of the business. It's just really about being hungry for more.
I wish I had known that that process of figuring out what you're good at, what you want to do, and where you want to have an impact is not a one-time exercise, but an ongoing one. Instead, I bought into success being an endpoint rather than a constant process.
Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.
I think that most people will spend their whole life not figuring out what they're meant to do, or figuring out what they're meant to do on their way to do something else. So I just feel lucky that I know what I love to do. Everything else figures itself out.
You try to find the internal life, but a lot of it is creating it through physical behavior and figuring out the voice when you create as much of a past as you would in a naturalistic piece. But it's fun, because it's like you're learning something, learning some kind of physical skill.
I think that Billie (Jean King) and Zina (Garrison), they have a whole lot of experience. Even if I don't quite agree with something or have a different way of doing it this week, whatever they said, I did it right away and I found out that it was correct. I think that's helped a lot...I'm having fun. I had a lot of fun out there. Sometimes I was ready to smile -- but I knew I'd lose focus -- because I was doing things that I'd done in practice and we talked about. I was ready to laugh and give someone a high-five, but it wasn't time for that.
The kind of approach that inspires me is taking what you've built and figuring out how to turn it into a new experience by expanding it smartly. The challenge is figuring out what's the best way to do that without totally jumping off of a cliff.
The best thing that I got was rehearsing with my father. It was always about the process of figuring things out, and trying something new, and having another take on something and keeping it alive.
The "essence" of comics is fundamentally the weird process of reading pictures, not just looking at them. I see the black outlines of cartoons as visual approximations of the way we remember general ideas, and I try to use naturalistic color underneath them to simultaneously suggest a perceptual experience, which I think is more or less the way we actually experience the world as adults; we don't really "see" anymore after a certain age, we spend our time naming and categorizing and identifying and figuring how everything all fits together.
I think grief is a huge subject; it's one of the things that everybody is going to confront in one way or another. There's been a lot of books written about how Americans have an odd way of trying to defer grief or minimize the need to grieve. People used to have a lot more ritual grief in their lives. For the most part, we think of it as a strictly temporal process: you grieve for a time and then you're over [it], but it's also a spatial process. It travels across a map.
For me, one of the highlights of being in the private equity world is that you need to learn a lot and very quickly about different businesses. So it's always a continuing learning experience where you can apply what you know, of course, by way of judgment and by way of numerical analysis. You're always investing in new businesses, which is a learning experience in itself. I think that is a wonderful thing and I think it makes for intellectual challenge and for continued personal growth. That, for me, is the highlight of this job.
You see something for the first time, you experience something for the first time, you feel something for the first time, it's much harder. I think that it's painful, but at the same time I think it should be the way to experience the world.
I think that is what you want to do as a cinemagoer - to experience something fully. Some things don't let you experience them fully. It may be your own preordained prejudice where you can't experience them fully. But when you come out of the cinema having felt, thought, and experienced your way through two hours, that is a really cool thing.
A lot of things get made this way: someone imagines what they want to make, then very carefully plans every step of the process, then sets about making it. That's usually the efficient, reasonable way to get something done, but it limits you to ideas you can think of in advance.
I still work that expectation/disappointment cycle all the time. I think it is part of the human nature and I think the most important thing is not to judge it. We are human and we do have expectations and a lot of our expectations are often not met. It is a process of learning how to be kind and compassionate and loving to ourselves when we don't get the things we want when people, circumstances, and opportunities don't match our expectations.
Learning what you don't want to do is the next best thing to figuring out what you want to do.
This site uses cookies to ensure you get the best experience. More info...
Got it!