A Quote by Matt Harvey

A lot of work is going in, and it's not paying off. And it's becoming very frustrating for me. — © Matt Harvey
A lot of work is going in, and it's not paying off. And it's becoming very frustrating for me.
To see that hard work paying off is very good.
I'm not disciplined at all. I barely function. But I get a lot done. I take days off all the time, but when I work, I work very fast and very efficiently. But I'm always having days when I'm feeling a little anxious, and I take a day off. I work in a funny way.
In England, there's a lot of people producing their own work and becoming producers and filmmakers, so they're not constantly waiting around. It can be very scarce for work, so it's important to create the work.
Goals work. Pick one debt, and then put every dime into paying down that one debt. Once that debt is paid off, start paying down the next debt. Pretty soon it's time to move from paying debt to building savings.
What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
Becoming world champion is something I have worked at for my entire career. It doesn't matter to me that my first title shot is at a different weight. The opportunity is at super-middleweight and I am going to take it. But that doesn't mean I am forever going to be restricted to the super-middleweight division. I've still got a lot of work to do, a lot of unfinished business at middleweight.
If I'm flying to China, I can sit and think about a problem. Other scientists have to go to the lab. I'm always thinking about maths, even when I'm doing other things. A lot of the time you're going up blind alleys and it's very frustrating, but then you have a sudden rush of ideas. You can live off that for quite some time.
When you put everything you have into making music, both on and off the stage, it can be very frustrating when the music you work so hard to create is not allowed to see the light of day.
ECW was the most fun for me artistically. And then, WWE, it was also very fun, but that was part of it. It was also a very stressful, monotonous schedule. There was a lot of politics, adjusting to that, and I am not a politician, and I don't play those games. So that was very frustrating for me as well.
The 'Motown' detour for me was almost like it wasn't work. It was more fun than work, and that's all it takes for me to not be very responsible to other things I should have been paying attention to.
A lot of science fiction is very accessible and very readable, but a lot of people are justifiably put off by the covers of spaceships - though that never put me off.
I have to be able to stick to very dedicated times to work on things, do exactly as I say I'm going to do, show up when I say I'm going to show up and focus that's the only way I've been able to pull off everything last year but I'm hoping I'll never have to do that again, it's a hell of a lot of work that's for sure.
The movie business can be very frustrating and very circuitous; theres no straight path. You have to have tremendous perseverance, dedication and passion. You have to want it very, very badly and you have to deal with a lot of rejection.
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
Realization that i couldn't be a ballet dancer was a blessing in disguise because that was the first time I felt like I stepped into adulthood. I realized, Okay, this is not going to work out. It was frustrating for about a year because I didn't know what to do with the creativity and the discipline that dancing had instilled in me from a very young age. But then I moved to Paris to model, and that was my cultural awakening. Now, I think dancing has been the biggest thing in my life, much more so than modeling, and it still helps me enormously in my work.
That was a frustrating race for me. I pushed as hard as possible at the start on the medium tyres whilst everyone around me was on the grippier soft compound rubber. Once I moved to the soft tyres I was able to set the race's then fastest lap so things looked good with our strategy. Unfortunately the engine anti-kill triggered when I came in to make my final pit stop which cost me a lot of time. It's frustrating as we should have finished strongly. My focus is now Barcelona where I've delivered very strongly in the past.
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