A Quote by Matt Lauria
I don't know if I would personally want to step in the cage and either have my face caved in or cave in somebody else's, but I've met some really beautiful and sensitive and morally pretty stout individuals who happen to be fighters. It's really awesome.
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As an artist, and for me personally, my biggest fear is categorization. I hate the idea that I would become someone who says that "this is what I do and now that's what I am." What I really feel like is an explorer. I want to continue exploring my brain cave and see what's there, you know? And I don't want to just stay in one cave.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
I always pull from something I know really well. Because I would never want to write about something that I hadn't experienced or that I hadn't witnessed happen to somebody else because it wouldn't be genuine.
A sensitive person receives fifty impressions where somebody else may only get seven. Sensitive people are so vulnerable; they're so easily brutalized and hurt just because they are sensitive. The more sensitive you are, the more certain you are to be brutalized, develop scabs.Analysis helps. It helped me. But still, the last eight, nine years I've been pretty messed up, a mess pretty much.
You know,” he said, “I wish you could see this cave.” “What’s it like?” He paused. “It’s...beautiful, really.” “Tell me.” And so Po described to Katsa what hid in the blackness of the cave; and outside, the world awaited them.
You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!
Some fighters know when to stop on their own and go on to something else, and then some fighters have nothing to go back to after they are finished. Some fighters still have the burning fire and feel that they just need to try one more time. Few can do it.
I think I'm a really good partner and very sensitive to the other person's feelings. I want somebody else to be comfortable, to understand about my job, and if they want to come on a set and see me work, they always can.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
The lesson that I would hope everyone would learn quite early in their career is don't take it personally. Whatever it is that happens, you're accepted for a role or rejected for a role of whatever, don't take it personally. It's part of the business and the person that is either hiring or firing-that's their business. That's what they are there for and it has nothing to do with how you feel about ... It has to do with someone else's perception of should you do this particular part, so just don't take it personally,. The business is really about rejection, so don't take it personally.
I'm not really comfortable with who I am to be honest. I feel more free to step into the shoes of somebody else. There's always an element of me in there but, you know, if you give me a script and some clothes I can do anything. But, as Ryan, I'm a bit of a recluse.
There is a magic factor that is sometimes on a movie set, that is a really, really beautiful thing that cannot be compared to anything else, if you are somebody that is really passionate about acting or directing or the world of movies.
I've seldom met somebody who is merely satisfied working alongside siblings. You typically have a binary outcome. They either are miserable and everyone starts to hate each other, which is an unfortunate outcome that we see too often, or it is really incredible, and there's tremendous energy and mutual respect, and the parties work really well together. I've found that the middle road typically doesn't happen.
Obviously, I'm quite young and I haven't really thought about what films I'd like to go into yet. I love challenging films, really. I'd prefer to do some gritty, challenging roles. That would be awesome, and really fun. I want to be as diverse as possible.
You have to really want it, and don't take it personally if you don't get a job. Because sometimes you're not the type. And sometimes it's somebody else's turn.
hat made me feel uncomfortable. People would be like, "Woah, that's crazy!," or they'd look at me really funny, but it also helped because that's how people look at Emily. I was like, "Come on, be sensitive! I have a scar on my face. It's not nice to just stare at somebody." That was really interesting.
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