A Quote by Matt LeBlanc

I'm much more low-key than the characters I've played. — © Matt LeBlanc
I'm much more low-key than the characters I've played.
It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.
With all of the characters I've played, I feel like I've tried to communicate through my eyes and face, as much or more than with words. That's something that I like to watch in films, and something that I like to bring to the characters that I play.
People will speak slowly to me sometimes. And they always ask me if I'm all right, because I'm much more low-key and reserved than my character in 'Friends'.
My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.
When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
You play against an opponent so much the numbers got to match at some point! I played against the Raiders six years straight pretty much. I played against them more than any team I've ever played.
I'm not altogether sure what I'm going to do for that. I think it will be a lot more low key than the other two I've done. Dare I say it, a bit more relaxing.
Office of itself does much to equalize politicians. It by no means brings all characters to a level; but it does bring high characters down and low characters up towards a common standard.
I was very, very shocked about Cooperstown. I thought my chances were fairly good, but I tried to stay low key about it, not too high and not too low. That was the way I played, too.
Novels have much more space than short stories, which gives you more leeway with the number of characters you can include. Even 'furniture' characters can be described and given speaking parts to develop background or atmosphere.
I've played so many different roles over more than 15 years, but I still hope to play more various characters.
Radical Forgiveness is much more than the mere letting go of the past. It is the key to creating the life that we want, and the world that we want. It is the key to our own happiness and the key to world peace. It is no longer an option. It is our destiny.
I don't think there is a guy that played more gay characters than I have done in my life.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
I think, the first time I played Iago at the Public Theater, I realized I had a - much to my chagrin - I realized I had an instinct for these conflicted characters, for these torn characters, for these characters who could be described as evil. I wouldn't describe them that way.
A comprehensive Syria strategy, ideally one that's more than 280 characters, remains a key requirement to protect U.S. interests in the Middle East.
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