Yes, I believe blue material is funny, but if that's all you've got, you're dead in the water. It's not good.
I stand by everything I said. I absolutely can defend my material, and I take issue with people who say, "It's just shock value. It's not even funny." I disagree. There's different ways to be funny and to be a comedian.
The writing is always the easy part, provided I can get the good material. It's the getting of the good material that's a challenge.
I'm not fixed in any genre. I love all kinds of films. The essential thing is; you have to have good material. If you have the filmmaker, and the material, and the script is good, you can start from there.
I just continue to look for different material, great material, as good as I can find, and try to go in there and do as good a job as I can do in making it a record. That's all you can expect. That's all that you can do.
The problem is that we live in an uptight country. Why don't we just laugh at ourselves? We are funny. Gays are funny. Straights are funny. Women are funny. Men are funny. We are all funny, and we all do funny things. Let's laugh about it.
The most important thing is to write material that YOU think is funny. If you don't think it's funny, but you're convinced that other people will think it is, well they won't.
People ask me how I sang the role of the 'Phantom' 1,700 times. And I say that it's down to good material. If it did not have good material, I would have had a major problem doing it for that length of time.
It's really irritating. Even people who like my work sometimes come up to me and say, 'I usually don't like female comedians, but your material is great!' It makes the job prospect more daunting. Funny is funny, you know?
Its really irritating. Even people who like my work sometimes come up to me and say, I usually dont like female comedians, but your material is great! It makes the job prospect more daunting. Funny is funny, you know?
I think we're all good and bad, but good's not funny. Bad is funny. Suppress the good and let the bad out, and then you can be funny.
Ninety percent of a good performance of an actor is based on the material. If you've got the material there, you can ride it.
It's always this grand search in the industry to find good material. Whenever there is good material, they all jump on it, and it's like a food fight to get it made. That's why so many things take years and years to develop because it all shows up on screen.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
Obviously, if a director doesn't communicative a clear, relevant vision of the material, it will not succeed no matter how good the material.
I would like to work with challenging material. A challenge is good. If it's good material; it's a challenge.