A Quote by Matt LeBlanc

'Friends' was a true ensemble. There really was no star of the show. — © Matt LeBlanc
'Friends' was a true ensemble. There really was no star of the show.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
It's weird, It's really weird to be called a breakout star. And some people are referring to my show as the new 'Friends', which I can't really even wrap my head around
It's weird, It's really weird to be called a breakout star. And some people are referring to my show as the new 'Friends', which I can't really even wrap my head around.
'Desperate Housewives' is an ensemble cast, where I played a tertiary character. I made a lot of great friends, but that show didn't keep me very busy.
My friends and family are not really fixated on the specifics of 'Star Wars.' My parents don't know anything about 'Star Wars.' They've never watched a 'Star Wars' film.
In spite of my great admiration for individual splendid talents I do not accept the star system. Collective creative effort is the root of our kind of art. That requires ensemble acting and whoever mars that ensemble is committing a crime not only against his comrades but also against the very art of which he is the servant.
You know when there's a star, like in show business, the star has her name in lights on the marquee! Right? And the star gets themoney because the people come to see the star, right? Well, I'm the star, and all of you are in the chorus.
I sort of was inspired by 'Friday Night Lights,' where it was a very different show, but similar in that they were both large ensemble dramas where you had many stories going on at once. I wanted to do a show that shared that element, and that's really why I wanted to develop 'Parenthood' as a series.
Part of an ensemble show is realizing it's a collaboration. It's like a symphony. Everybody takes their turn, but it's really the collective group that matters.
When an ensemble is really tight or playing as one, it's a transcendental experience. It is spiritual. It goes beyond the ensemble. Ray and I and Robby and Jim were pretty tight, musically and spiritually.
I've done a lot of pictures that are ensemble, and I've not always liked the people I was working with, but that doesn't make any difference because you do the job, and often it turns out to be a great ensemble even if you didn't particularly really like anybody.
If you get a show named after you, and then play another character, that's fine. But if you do a show that's an ensemble show like... MASH, then you're in trouble.
It's tough to have a movie-star persona when you're on a show as successful as 'Friends.'
We're really fleshing out the whole world of the show [Difficult People]. It's more of an ensemble now, whereas last season we were very focused on establishing the Billy/Julie friendship. Now that that's been established, we don't question that they love each other and what the show's about. So we can meander outside of that.
The talent of historians lies in their creating a true ensemble out of facts which are but half true.
It shouldn't be so difficult to determine what a planet is. When you're watching a science fiction show like 'Star Trek' and they show up at some object in space and turn on the viewfinder, the audience and the people in the show know immediately whether it's a planet or a star or a comet or an asteroid.
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