A Quote by Matt LeBlanc
I really like the half-hour comedy. I really do. I know people that are in movies all the time and they, you know, they don't see their families as much. And that takes its toll over time.
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Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.
You know what I would really like to do? I'd like to do a half hour drama with comedy in it.
I don't drink alcohol at all except for special occasions. I definitely do think that it really takes a toll on your body over time, so it's something that I really try to stay away from.
When you have kids and you're married...you know, life takes its toll on you after a while, and then you're just not as creative, you're not as motivated... And it takes a special person when it's time to dig down and do a record, to really go in there and pour out whatever it is you got in you to put on a record, and that's what we did.
Nobody sees a flower really,it is so small. We haven't time,and to see takes time- like to have a friend takes time. One of the greatest problems of our time is that many are schooled, but few are educated.
It's quite pretentious, really, isn't it? The notion the audience is going to be interested in you for an hour and a half. Think too much about that and anxiety takes over.
I don't really know the person who wrote the things I wrote. I kind of know him, but I change so much all the time that it's like I start fresh over and over and over and over. Writing-wise and life-wise.
Its quite pretentious, really, isnt it? The notion the audience is going to be interested in you for an hour and a half. Think too much about that and anxiety takes over.
Nobody sees a flower really; it is so small. We haven't time, and to see takes time - like to have a friend takes time.
I don't see anyone for the first hour and a half that I'm awake. I don't like to talk, and I don't like to hear any sounds. People know not to bother me! I use that time to read, and make lists and notes of things I have to do later in the day.
Wouldn't it be funny if I were a total nightmare? If I just shot 21-hour days and went over budget? But, you know, it's something I'm really careful about, because I am a mom, and also, I'm an actor. I'm a pleaser: I don't want to take up too much of people's time.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
I'm always amazed that anyone is paying attention to anything that I do, you know what I mean? I feel like I'm constantly having conversations with people where they're saying, "I didn't know that you could be serious," and then other people are saying, "Oh, I didn't know that you could do comedy." And so I don't know if it really helped too much with this. I like to think that it does.
I live part-time in a cabin in Colorado up in the mountains and part-time on a ranch in central Texas - but do I really know how to go brand a cow, or do I really know how to go rappelling down a cliff? No. I do the recreational, half-assed version of all these manly activities and then try to keep that kind of Zen masculinity, like, "I'm a man of nature."
I remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.
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