A Quote by Matt Letscher
I was offered the role of the Reverse Flash on 'The Flash' by Executive Producer Andrew Kreisberg and Greg Berlanti, who co-created the series with Andrew. I said 'yes' immediately because I had worked with those guys before on the show 'Eli Stone.'
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When they sold me on 'Supergirl', I went and sat down with Andrew Kreisberg and Greg Berlanti, and they described the character to me. Greg Berlanti used a couple of music theater references to kind of explain who the character was. They threw up Chris Pratt in 'Guardians of the Galaxy' as a reference point.
Greg Berlanti, David Nutter, Andrew Kreisberg and Marc Guggenheim are the people I wanted to work with. They're smart, they're funny, they're cool, they're edgy.
Greg Berlanti, Marc Guggenheim and Andrew Kreisberg are fantastic producers and showrunners, and they lead a very, very positive, fun, creative environment to work in and to work with.
But who wants to hang aroundfrat guys ? I want to be with guys who have more on their minds than where the next keg party is. I want to be with guys who care about making this world a better place-the way Andrew does. I want to be with guys who know that what's important isn't the size of a girl's waistband but the size of her heart-like Andrew. I want to be with guys who are able to see past a girl's outward appearance, and into her soul-like Andrew.
The brilliance of Andrew Breitbart is that he has created thousands of Andrew Breitbarts.
I used to watch the old 'Flash Gordon' series on TV, and it was thrilling to rocket to the planet Mongo every week. But after a while, I figured out that although Flash got the girl and all the accolades, it was really Dr. Zarkov who made the series work. Without Dr. Zarkov, there could be no Flash Gordon.
I'd like to go back and revisit the Flash/Captain Cold relationship, because that to me has been the heart of it all along. My impression is that The Flash is a show about a boy's journey into manhood. For the Flash character, there is a variety of male models presented to him, and Captain Cold is one of them.
Flash is about freedom; Flash is about expression. Flash is about just the joy of exuberant running and of freedom, and the moment you weight him down with too much Batman-like baggage... that's not the Flash anymore.
The term 'web-series' has a stigma attached to it because it was created at a time when the only web-series that were being created were being created by people who would have loved to have a television show, but they couldn't. So they created a web-series instead, on their own dime. And those series look cheap because of it.
What's really amazing is that the showrunner who really got me my start in TV is Andrew Kreisberg. He brought me on to 'Arrow,' and he tracked me down because he was a fan of 'Punisher.'
I was on the tube just before Christmas. and this girl turned round to me and said, 'Are you Kate Winslet?'. And I said, 'Well, yes. I am actually'. And she said, 'And you're getting the tube?' And I said, 'Yes'. And she said, 'Don't you have a big car that drives you around?' And I said, 'No'. And she was absolutely stunned that I wasn't being driven round in some flash car all the time. It was ludicrous.
I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.
And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.
Give me lust, baby. Flash. Give me malice. Flash. Give me detached existentialist ennui. Flash. Give me rampant intellectualism as a coping mechanism. Flash.
I was sent the script [of Havenhurst ], and I was out of town at the time, so I did a site meeting with Andrew [Erin]. It was so bizarre. I was staying in a hotel at the time, and the night before the meeting with Andrew, I learned there was a ghost in the hotel.
With the advent of 24-hour Sky News, the News Flash has been greatly devalued. Time was, when something unimaginably horrendous had to happen before it was deemed worthy of a News Flash. At least one, preferably two, and ideally all four horsemen of the apocalypse would have to be involved.
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