A Quote by Matt Lucas
But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.
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Everyone talks about 40 like it's massive, but I looked at Joanna Lumley at the Ab Fab premiere the other day, and she looks amazing at 70 - that's 30 years older than 40, which sounds ridiculous. The number doesn't matter; it's what's going on for you.
Because if you remember - and people forget this - the first two years of Game of Thrones everybody was going, "I don't know what's going on, but I really like it." And you really didn't know what to make of a lot of people, and now it's changed and people aren't really talking about that. Now it's like you're watching West Wing or Friends, you know the characters and you're like, "What in the world is going to happen?"
In 'Garden Party' or '40 Days and 40 Nights,' I played characters who people don't necessarily like; I just find some humanity in them.
When you're paid $29 for something and 30 or 40 years later you're seeing it on eBay with pages going for $199 or more, it's like, "Dammit!"
In Garden Party or 40 Days and 40 Nights, I played characters who people dont necessarily like; I just find some humanity in them.
I think that was kind of always my goal: get people to come back and see a show twice and then see it a third time. And now I've got people who have been to 30, 40 shows.
When I got to 40 or so... I had the sense when I looked back over my life I would actually see a mess of decisions, a few of which I had thought about, some of which I had sort of stumbled on, and many that I had no control over whatsoever.
I don't remember anything about '93. I remember going to some Copper World Classic races. I probably had to have been 4 or 5 around then. I probably mostly remember it because of my mom's pictures that she takes all the time.
Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, "What did I do wrong?", and its like "No. It's not wrong. It's just that we are going to try something different."
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.
I think it's the strange irony that we make all these life choices before we're 40, because really we shouldn't make any until we're 40. It almost feels like you get a software upgrade and you start to experience life in such a different way, because you just don't suffer fools, you go straight for what means something and what feels good, and you stop caring about pleasing other people.
You see things differently at 40 than you do at 31. Especially if you got to 40 the way I did.
The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.
I remember one point seeing I had like 60-some different cell phones. I know I only use one.
I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.
Around 2010, I kind of looked up and said, I'm 40 years old. You know, I chose music. I don't have a husband. I don't have any kids. Like, I chose music. So, I had to make a decision. Like, do I want to do something else, or do I want to go from journeyman to master? And I realized, I want to be a really good musician.
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