A Quote by Matt McGorry

There's some part of me, as an actor, that likes attention and validation, but on any given day, depending on the style and volume of it, it can be too much. — © Matt McGorry
There's some part of me, as an actor, that likes attention and validation, but on any given day, depending on the style and volume of it, it can be too much.
Volume can vary a ton when you're cooking, depending on how you measure. Do you carefully spoon the flour into a measuring cup, or do you scoop with the cup? Are you using chunky Morton kosher salt, or finer Diamond Crystal? There can be a 40 percent difference in volume depending on the brand.
All of the advice that I give, I'm not an expert by any means, but it's just my opinion. So if somebody likes me or likes y style or my career, I think they should have that feeling.
My style is a little more thought out, in a way, but I guess it's eclectic at the same time. I wouldn't be able to describe my style, because it changes on a day-to-day basis, depending on what sort of mood I'm in.
When I was a younger actor, I was pretty much solely motivated by validation. I just wanted to be told I was good and handsome and a part of the gang. It was pretty simple animal-social stuff. I don't care as much about those things anymore.
I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.
For an actor, style comes last. You first have to implement the whole thing, but your style comes from the subconscious, which is the best part an actor brings to his work.
To be allowed to come back to WWE is the greatest gift that's ever been given to me. Back in the day, I never appreciated what WWE had given me, because I was in too much disarray and too confused about my own life. I let opportunities foolishly slip through my hands.
As an actor, there are a lot of personas and personalities that you carry. Whatever you wear, you adapt to it, and people feel that's your style. But that's not necessarily an actor's style. There are some things that are very 'you,' and some are only to suit your persona.
Understand, my own politics aren't necessarily interchangeable with what any of my characters believe. You could take each of the characters in On the Ropes, and I'd probably be in sympathy with a different one on any given day, depending on what's going on in the world.
Style! style! why, all writers will tell you that it is the very thing which can least of all be changed. A man's style is nearly as much a part of him as his physiognomy, his figure, the throbbing of this pulse,--in short, as any part of his being is at least subjected to the action of the will.
I am never much interested in the effects of what I write....I seldom read with any attention the reviews of my...books. Two times out of three I know something about the reviewer, and in very few cases have I any respect for his judgments. Thus his praise, if he praises me, leaves me unmoved. I can't recall any review that has even influenced me in the slightest. I live in sort of a vacuum, and I suspect that most other writers do, too. It is hard to imagine one of the great ones paying any serious attention to contemporary opinion.
I think for any actor to say they don't like attention is ridiculous. Of course we love attention. But getting attention is different than pretending the attention means something.
You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right. I talk too much. I also listen too much. I could be a cold-hearted cynic like you, but I don't like to hurt people's feelings. Well, you think what you want about me. I'm not changing. I like me. My wife likes me. My customers like me. 'Cause I'm the real article. What you see is what you get.
We derive so much of our self-confidence and validation from Instagram. Just imagine one day Instagram gets deleted like all of your friends who you think you have on social media, all these likes and comments just disappear, what are we left with? We have stopped valuing human relationships and contact.
Lately, I've been getting too much attention with the Met Gala and work going so well that I try to find rejection in my day. I'll seek out someone on the street or at the farmers' market and ask for something where I know they'll say no. No one likes rejection, but it's real. And I don't want to lose that feeling.
There's some boring advice for improvisers beginning their careers like "see as much of it as you can and do as much of it as you can." Volume, in a way, is the most important thing. Not, like, decibel volume - just immerse yourself in it as much as possible. I'd also suggest that you put a high value on your personal interests and tastes.
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