A Quote by Matt Mullenweg

Simplicity can have a negative impact when it's the crude reduction of nuances beyond appreciation: a Matisse presented as a 16-color GIF. — © Matt Mullenweg
Simplicity can have a negative impact when it's the crude reduction of nuances beyond appreciation: a Matisse presented as a 16-color GIF.
In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.
Detached forgiveness—there is a reduction in negative feelings toward the offender, but no reconciliation takes place. Limited forgiveness—there is a reduction in negative feelings toward the offender, and the relationship is partially restored, though there is a decrease in the emotional intensity of the relationship. Full forgiveness—there is a total cessation of negative feelings toward the offender, and the relationship is fully restored.
In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.
The simplest way to achieve simplicity is through thoughtful reduction.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
You cannot deny your origins: I love Kirchner more than Matisse, although Matisse was a greater artist. That isn't to do with nationality. It's a stronger feeling.
Matisse draws what I call the essence of the plants. He leaves a shape open. He'll do a leaf and not close it. Everybody used to say, oh, I got it all from Matisse, and I said, 'Not really.'
A poem can have an impact, but you can't expect an audience to understand all the nuances.
In Bach there is still too much crude Christianity, crude Germanism, crude scholasticism; he stands on the threshold of European (modern) music, but he looks back from there to the Middle Ages.
If you're dealing with grappling [with] problems of feeding people, the biggest impact in fertility reduction is girls' schools. Schooled girls make a bigger impact on that than any other factor - not these various regulations [such as] you have to have one child or that. It turns out that none of these are effective.
I think social media has a lot of negative impact and negative effects. These are fairly extreme and horrifying and really gruesome.
Music is the last true voice of the human spirit. It can go beyond language, beyond age, and beyond color straight to the mind and heart of all people.
Everything we produce and consume has an impact on the environment, on social fabrics, and on the economy. This impact can be positive or negative and, frequently, some combination of the two.
Even a small reduction in errors and rework can have a significant impact.
The impact of the Kyoto Protocol on global temperature is quite modest, especially for the first century. The reduction in global mean temperature in the Annex I case relative to the reference in 2100 is 0.13ºC; this compares with a difference of 0.17ºC from the Kyoto Protocol calculated by Wigley. The temperature reduction in the optimal run is essentially the same as the Kyoto runs by the 22nd century.
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