A Quote by Matt Nathanson
I feel vulnerable a lot interacting with human beings and being honest with people, and if I read their energy kind of not getting or shutting me down or this feeling of where we're not connecting, that's kind of a vulnerable place for me.
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I'm a person who doesn't necessarily enjoy feeling vulnerable, so I think my loved ones and my family make me feel vulnerable. Also, being connected with people when I'm working is a very vulnerable place to be.
Being vulnerable is allowing yourself to trust. That's hard for a lot of people to do. They feel a lot more secure if they kind of put walls around themselves. Then they don't have to trust anybody but themselves. But to allow you to trust not only yourself but trust others means - is what's required to be vulnerable, and to have that kind of trust takes courage.
I feel vulnerable every day to the grace of God as expressed in every living thing. I feel vulnerable to the astonishing beauty of being alive and to Mother Nature. I feel positive when I feel vulnerable, because it's another reminder that it's not all about me and about my ego. And I actually think it's courageous to be vulnerable, and it's not something to be avoided.
When we speak of being vulnerable, it suggests being especially vulnerable to pain. People for whom personal dignity and self-sufficiency are everything, do all they can to shut it out. Noli mi tangere. They are well aware that any intimate relationship has pain in it, forces a special kind of awareness, is costly, and so they try to keep themselves unencumbered by shutting pain out as far as it is possible to do so.
I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
I like interacting with human beings, so being on stage feels like a larger version of that - kind of like throwing a party. It's like knocking into the human collision of everyday life and it just so happens to break down the wall between the audience and me and helps the songs communicate better.
I think, in life, we're vulnerable, or human beings are vulnerable, or men are vulnerable. I think it's just a question, you know, choosing when you let that mask slip off, which I think all men do - they just usually don't do it in front of people.
Sex is the killer. Sexual love makes you feel more vulnerable than any other kind of love. That's one reason that people are so thorny and so vulnerable and so easily wounded when in love.
I'm a guy so I equate vulnerability with fear. What makes me fearful. I feel vulnerable when I release material, my work, to the world, and I have no control over the outcome. Those are very vulnerable moments. I'm getting married on Friday.
They call it collective energy. It's that same feeling that you get when you meditate amongst a ton of people. What actually makes the festival feel so special is that while you're watching a band or an artist, you're standing there, kind of feeling the same feeling with so many people in such a small space and that gives you collective energy. It's that kind of strange feeling in which you almost feel people breathing.
You can feel a little vulnerable when you see people tearing you apart on the internet or saying, "It's the end of music." "This guy is a total hack." I've read it all. But at the same time, even though I feel a little vulnerable with that, I do feel comfortable.
When I was a kid, I did want to be a boy. I didn't like to play with dolls, and most of my friends were kind of sensitive, sissy boys. But as I got older, the mystique of being a girl began to interest me. It was confusing what sexuality was, and the responses of other people, but it didn't make me feel terrified or vulnerable.
The music brings me confidence and freedom. It's also the thing that can make me feel the most vulnerable. Once I finish writing all the songs for an album, once I actually record them, that whole process is usually easy and enjoyable. The part where I feel the most vulnerable is when it's all finished, I can make no more changes, I've turned it in, and there's no going back. All of a sudden I hear the songs in a different way; that's when I feel vulnerable.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
I carry a lot of feminine energy as well as masculine energy, and that's the hit that people are getting. That vulnerable thing is not what we assume with black males. You get it, and then they cease to become scary. They become human. You cease to have a bogeyman.
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