A Quote by Matt Nathanson
I like interacting with human beings, so being on stage feels like a larger version of that - kind of like throwing a party.
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I like interacting with human beings, so being on stage feels like a larger version of that - kind of like throwing a party. It's like knocking into the human collision of everyday life and it just so happens to break down the wall between the audience and me and helps the songs communicate better.
I had a foretaste of another, larger kind of knowledge: one I believe human beings will be able to access in ever larger numbers in the future. But conveying that knowledge now is rather like a chimpanzee, becoming a human for a single day to experience all of the wonders of human knowledge, and then returning to one's chimp friends and trying to tell them what it was like knowing several different Romance languages, the calculus, and the immense scale of the universe.
To our human minds, computers behave less like rocks and trees than they do like humans, so we unconsciously treat them like people.... In other words, humans have special instincts that tell them how to behave around other sentient beings, and as soon as any object exhibits sufficient cognitive function, those instincts kick in and we react as though we were interacting with another sentient human being.
I'm one of relatively few stage-trained actors who doesn't much like acting on stage. It feels kind of like riding the Cyclone at Coney Island, which I did when I was eight. When it was all over, I was glad I had done it, but most of the time when it was actually happening, I was just kind of hanging on for dear life.
When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."
I kind of feel like I have grown as just like a human being as a human being by being able to adapt and adjust and know that like you can't ever rest on your laurels, you have to sort of wake up; you actually have to be present.
We're living in our neoliberal, sort of late-stage capitalist culture where human beings are really like objects of production and consumption. We're on our screens all the time; we're kind of being sold at all the time.
There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
We're human beings we are - all of us - and that's what people are liable to forget. Human beings don't like peace and goodwill and everybody loving everybody else. However much they may think they do, they don't really because they're not made like that. Human beings love eating and drinking and loving and hating. They also like showing off, grabbing all they can, fighting for their rights and bossing anybody who'll give them half a chance.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
If it's strictly comedy, I like to bring some darkness to it. If it's strictly drama, I always like to lighten it up as well. I like to find some kind of dimension and make my characters human, so that it doesn't feel like a sketch and feels more like a slice of life.
He looked exactly like a rat. Like the human being version of a rat. Like the villain in a Don Bluth movie.
Whether it's writing songs, being on stage, being interviewed, meeting fans - I just try to be myself, which is kind of exhausting because it almost feels like it never shuts off.
Coming to terms with Donald Trump as the Republican nominee is like being told you have Stage 1 or Stage 2 cancer. You know you'll probably survive, but one way or the other, there's going to be a lot of throwing up.
I have a personal ritual. Just like 10 minutes before a show, I'll open a beer, just so it feels like I've just arrived at a party. I have a few sips, then we go on stage.
I want the ones that stood up for the Tea Party when the Tea Party was being pilloried by the mainstream media. I like the Bachmanns and the Palins and the Wests and I like the Herman Cains, I like Thaddeus McCotter, I like fighters, and I don't like the poll-tested ones.
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