A Quote by Matt Nathanson
When I play, I open up. I'm in the heat of the performance and it's a healing thing. It's great! It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage. It takes on this incredible feeling of levitating and the molecules spin differently in the moment.
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It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage.
When I play, I open up. I'm in the heat of the performance and it's a healing thing. It's great!
To me, all guitar players can play, because I know they're getting to where they're at. It's a very hard instrument to accept, because it takes years to start working with it, that's first, and it looks like everybody else is moving on the instrument but you. Then when you find a cat that's really playing, you always find that he's been playing a long time, you can't get around it.
When I'm on stage, I turn into this rock person. I give everything I have. I sing with emotion, I'm loving it up there, and I think there's a lot of energy. In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience too, so they're feeling what I'm feeling. And the set up is great - I have two drummers and a bass guy so it's just us four.
I love playing with a full band, but there's just like a different feeling up on stage when you're playing with a smaller group. It's easier to play off each other.
The neuro-biology of playing a musical instrument is completely scientific, but it’s also an absolute miracle, that you’re taking basically a calcium bucket filled with salt-water that’s run by a weak electrical signal, and you’re using it to move your flesh around in order to manipulate an instrument which disturbs air molecules between you and the listener, and then the listener’s ears picks up those disturbed air molecules which generates a weak electrical signal to their calcium bucket full of salt water, and they feel a feeling. That’s miraculous, and that’s where I live.
It's just something about great players when they play in certain arenas or against other great players. They elevate their play. LeBron is one of those guys. He feels the moment. He understands the moment.
The thing I find really special in performance is that there is this slightly mystical thing that takes over when you're responding to a crowd and engaging in people's imaginations collectively in a room. I've always thought that one of the most incredible things about being alive is going to see some kind of performance like that.
It's an incredible thing when you are creating something in a moment with the other people on stage and with an audience, and you are all experiencing it together as it exists in that one night. It's a magical feeling.
Becoming a father is the natural progression and the next stage after marriage. So the thought of becoming a father is itself an incredible feeling!
Martina Navratilova said in the early '90s that Seles would inspire the players of the future to also use two-handed forehands. That didn't happen, but she is responsible for the all-out aggression with which most of the top players play. All the low trajectory shots hit with just moderate amounts of spin and traveling into the corners like heat-seeking missiles? You guessed it, Monica's to blame.
It is not a dreamlike state, but the somehow insulated state, that a great musician achieves in a great performance. He's aware of where he is and what he's doing, but his mind is on the playing of his instrument with an internal sense of rightness - it is not merely mechanical, it is not only spiritual; it is something of both, on a different plane and a more remote one.
What's great about acting is that there's never a moment when you're like, 'OK, I got this, I understand this.' You're portraying life, and it's a craft that only gets better with time - kind of like playing a musical instrument: the more you get to play it, the better you are.
Most of the time, I'll be conducting the orchestra, but there will be some pieces that I'll be playing an instrument as well, just because I love playing. There's pieces where I want to grab an instrument and play with the rest of the group, like 'The Light of the Seven,' for example; I would love to play the piano for that.
There is nothing more exciting than playing in a building with the college vibe. It's something that I wanted to be a part of. This doesn't exist anywhere else in the league. It's a great tool to help us keep great players and bring in incredible players.
I sometimes like to think of God as a great symphony and the various spiritual paths as instruments in an orchestra. The gift that you have is like music waiting to be played. You need only to find the instrument that will best bring it out. You alone can never play all the instruments, and your music might not find voice in all the instruments. All you can do is find the instrument that suits you best, play it as well as you can, and add your music to the great symphony of divine creation.
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