A Quote by Matt Nathanson

It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage. — © Matt Nathanson
It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage.
When I play, I open up. I'm in the heat of the performance and it's a healing thing. It's great! It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage. It takes on this incredible feeling of levitating and the molecules spin differently in the moment.
To me, all guitar players can play, because I know they're getting to where they're at. It's a very hard instrument to accept, because it takes years to start working with it, that's first, and it looks like everybody else is moving on the instrument but you. Then when you find a cat that's really playing, you always find that he's been playing a long time, you can't get around it.
I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
Most of the time, I'll be conducting the orchestra, but there will be some pieces that I'll be playing an instrument as well, just because I love playing. There's pieces where I want to grab an instrument and play with the rest of the group, like 'The Light of the Seven,' for example; I would love to play the piano for that.
A rewarding relationship occurs when there is a common spiritual goal, shared spiritual values and a mutual desire to build a relationship upon a spiritual foundation and for the purpose of connecting to the light of the creator.
We always thought it strange that nobody was up on that stage playing soul stuff. Maybe people were playing it in their garages, like us, but they always reverted to pure rock when they got on stage.
I loved playing in England. But after a few years, I didn't find it challenging enough. I wouldn't say I was bored, but it was becoming too repetitive - playing with and against the same players year after year.
It's like a whole orchestra, the piano for me. And also it's to me the greatest instrument. I shouldn't say that, but I believe that this is the only instrument I can really feel happy about playing.
The truth is that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
I'm not privy to the English set-up, but at the academies in Ireland, there is a huge focus on the weights room as opposed to whether they can throw a 10-metre pass on the run. They should be rugby players becoming athletes, not athletes becoming rugby players.
He was seriously thinking of becoming a monk. He thought he had to be celibate to maintain the purity of his instrument, but my instrument needed tuning, and we had to split.
African soccer has grown to the extent that the majority of its players are playing for European teams and that is very good as they are becoming role models for the youngsters on the continent.
Spiritual growth thrives in the midst of our problems, not in their absence. Spiritual growth occurs in the trenches of life, not in the classroom.
I like to have fewer players. That way, everyone is plugged into what you're doing. There is a risk attached to that sometimes but it's good to have a smaller squad. People have more chance of playing; they're ready and more motivated. Having 18 real players is better than having 25 or 26 not playing.
It's in that convergence of spiritual people becoming active and active people becoming spiritual that the hope of humanity now rests.
If I changed the mindset of some players or my mindset helped some players to be better - maybe. But I don't think it was me changing anything for the club because playing for Manchester United means playing with the pressure, playing with the responsibility.
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