A Quote by Matt Nix

I really gravitate to the comedy of tonal contrasts. I hope that doesn't sound insufferably pretentious. What I mean is people having reactions to things that seem inappropriate, or being happy in an apparently unhappy situation.
I hope this doesn't sound pretentious, but I very often like the way Europeans make movies. I think sometimes that don't they care about having to clean certain things.
I might really have gone round the bend. I mean people who get visions and see a gigantic light descend on them from the sky can't be all there but if so I feel mighty happy. If one is happy and cracked it's much better than being unhappy and sane.
Honestly, I don't focus on what my writing is called. I don't mean to sound artsy and pretentious, I just really can't think of things in that way. For me, the point is telling a story that keeps people up past bedtime, while hopefully exploring ideas that resonate.
If you want to be happy, learn to be alone without being lonely. Learn that being alone does not mean being unhappy. The world is full of plenty of interesting and enjoyable things to do and people who can enrich your life.
All happy people are grateful. Ungrateful people cannot be happy. We tend to think that being unhappy leads people to complain, but it’s truer to say that complaining leads to people becoming unhappy.
Mean comedy is not really something that I personally gravitate towards or something that I do.
How little has situation to do with happiness. The happy individual uses their intelligence to realise things could be worse and therefore is grateful and happy. The unhappy individual does the opposite!
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
There are some people I've met and it's stressful just speaking to them, because they're really pretentious and I don't know how to talk to them without being pretentious back.
Comedy did a lot of things for me. I mean, 'SNL'? Not too bad. Not too shabby with this comedy thing. I have really worked on my comedy and really upped it some notches.
I wouldn't say that my emotions are extreme. I'd say they are committed. My moods are the equivalent of Madonna's dancing: inappropriate but all-out. If I'm going to be sad, I might as well be the saddest a girl can get. And if I'm happy, I want to be the happiest. The trouble is, I feel highs so ecstatic that just being normal feels like a thousand-mile drop and being unhappy is excruciating.
One of the things the police officers told us in the first minutes of being with them is that the way that they cope with their job is by using a lot of inappropriate humour. It's really a lovely opportunity to try to challenge our ideas of what it is to deal with complex issues, and that they're not always dower. Having that kind of humour along with the pathos for what people are going through is a really nice challenge.
A child gets sick with a chronic disease of unhappiness not from unhappy circumstances but from unhappy people around him. Unhappy people cannot raise happy children; it's impossible.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life.
I've never disguised the fact that I wasn't happy in teaching. But the reason was that I wanted to do comedy. I would have been a very unhappy security guard or a very unhappy greengrocer.
There are many people who live in what I call 'No-man's Land,' a place where you're not really happy, but you're not unhappy enough to do anything about it. That's a dangerous place. It's a place where people numb themselves to their dreams. It's where they dismiss hope and accept what's in front of them instead of driving toward what they really want in life.
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