A Quote by Matt Nix
I have to say, as a showrunner, being niche-y is kind of a great thing.
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A "showrunner" as a position is a relatively new thing. It used to be the executive producer. That's not true anymore. Now it's evolved into this model where people look to showrunners and say, that guy is that show. It's just become a lot more interesting to know the showrunner and to get a sense of that person.
I thought what would be really just choice for a revamp and a reboot is 'The Greatest American Hero.' I think I'd be just that kind of perfect not prepared for this kind of thing, but thrust into circumstances he's not prepared for... that's another niche of mine. Unpreparedness. Not knowing what to do. I'm good at being that guy.
Being a showrunner is doing a bit of everything. It's not just writing. It's also management: managing actors, managing producers, managing a crew, being kind to people, being a good boss, observing deadlines.
A movie is a mass consumption product. I have got no delusions about being niche. I don't want to be niche. Though in the earlier part of my career I was into niche cinema, doing independent films - and I do have a revolutionary bent of mind - but you cannot make a change from outside; you have to be a part of it.
We are in niche consumption mode, but 'niche' doesn't mean 'small' anymore. Niche can mean focused, and particularly with the Web, which is a global audience... you can have something niche and still get 10 to 15 million views.
We are in niche consumption mode, but 'niche' doesn't mean 'small' anymore. Niche can mean focused, and particularly with the Web, which is a global audience you can have something niche and still get 10 to 15 million views.
It's something I've seen a lot of: these tortured geniuses, or self-proclaimed tortured geniuses, who kind of take their damage out on others. I think being a showrunner, you have a lot of unchecked power and I think that can be a very dangerous thing.
Many people decide to jump from niche to niche, as they cannot find success immediately with the niche that they have chosen for their online business.
When you work in a writers room for a showrunner, you serve that story, and you serve that showrunner. I don't think it should be called writing; I think it should be called rendering content. Because you are there to render the content that is agreed upon in the room, and you're serving the voice of the main storyteller, which is the showrunner.
What I'm about to say won't be popular, but it's true: If being a television showrunner is the job you want, and you are a woman, I would not suggest you have children. The reality is that you just cannot do both well.
The hardest part about gaining any new idea is sweeping out the false idea occupying that niche. As long as that niche is occupied, evidence and proof and logical demonstration get nowhere. But once the niche is emptied of the wrong idea that has been filling it:; once you can honestly say, "I don't know", then it becomes possible to get at the truth.
Film used to have to be niche and find its audience in a little art house cinema, and TV had to work for everybody. And now it's kind of flipped where there's so many platforms that TV can be incredibly niche.
Being a niche kind of artist, you're not going to make a lot of friends in the traditional music biz.
I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.
'Looking' was always a niche show for a niche within a niche. It's a gay-themed show, so you're not going to get millions of straight people watching it - that's the inevitability of it.
I'd say it's far more challenging to be female and be a showrunner. People are not surprised to see a black person running this show, but the female aspect is the thing that I get asked about.
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