A Quote by Matt Riddle
I love fighting, but I don't miss waiting months upon months just to fight once in front of people and then have to wait months again to fight once in front of people.
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I had two managers who couldn't stand each other. I had a promoter, Don King, who couldn't get any fights, and I was fighting once a year. I knocked out Norton and then didn't fight for 13 months. Then I fight the heavyweight champion of the world.
When you're first pregnant, you have that 'Wow, I can't wait' and then, by the end of the nine months - which is really 10 months of waiting for someone to arrive - you're just so ready for it to be over.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it.
The great thing about rock n' roll is, if you want to fight - like, fight the system, fight the man, fight the government, fight the people in front of you - it's Don Quixote all over again. You're really chasing windmills.
Nobody breaks in a fight and comes back in the same fight. Once you break, you're done for the night. You've gotta go back. You've gotta shower up. You've gotta fly home. You've got to reassess, take three or four months, and try it again. But that Anderson Silva breaks in that fight, and still finds a way to win, is remarkable.
Usually, you can live very well for two, three months, then you're in trouble. Every coach, I think, is like this. For two months, you're happy because you have time, and after two months, you miss adrenaline.
When I first got to WWE, people thought I was going to be fired within three months. No one liked me; no one wanted me there, whether it was the fans or the people backstage. I had to fight and fight and fight to earn my spot.
Sometimes being away from TV for four months or six months or whatever it's been can really help you. People miss you and are happy to see you back. On the other hand, people can forget about you.
The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.
As a book editor, you need to pitch every one of your books again and again, dozens of times, for months on end. From a quick conversation with your boss or a letter that'll be read by just one person, to a five-minute speech in front of 50 colleagues or cover copy that'll be in front of millions of eyes.
Today the patent office is obsolete. You just take whatever you do, tool up, and start production for six months. At the end of the six months you put the data on all the computer inputs all over the world and you got your business. You can make all your money, and then people can steal it, but by then it doesn't matter because you've made the money up front and you avoid wasting money in lawsuits. [My father] had all these kinds of ideas years ahead of others.
And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.
If a football player has a bad game, he's allowed to do that because he plays once or twice a week. With fighting, it's once every few months.
I was once being interviewed by Barbara Walters. In between two of the segments she asked me: "But what would you do if the doctor gave you only six months to live?" I said, "Type faster." This was widely quoted, but the "six months" was changed to "six minutes," which bothered me. It's "six months."
The good thing about being an actress is that it's very children-friendly. I can work for three months and then I can have six months off. And then I can work for six months and have six months off.
I advocate that every woman be a part of a circle, and a circle that meets at least once a month, or if you can't do that, once every two months or every four months.
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