A Quote by Matt Roper

I have two vintage typewriters. One just about works and the other hasn't a hope in hell, bless it. But they're both beautiful, and they'll stay with me just as long as there's a roof over my head.
Me and my bandmate having known each other and worked together for so long, the process between us is kind of effortless. We've both played in other bands and recorded things outside of Foxygen, but there's something about what happens between our personalities when we make music that works. Also, with it being just the two of us, we don't have the problems that other bands do. We don't have a bass player saying, "What about my parts?" We play all the instruments between us, and we don't really have much ego about that stuff.
I should go in alone," Valkyrie said, speaking loudly to be heard. "If we both go in, it'll look to official." "So I'll just stay out here?" Skulduggery asked. "But what'll I do? There's no one to talk to. It's boring." "You're standing on the roof of a train," Valkyrie pointed out. "If you find this boring, you really need your head examined. Just wait here. I'll do what has to be done and I'll be find out. "Fine," he said, sounding grumpy. "Don't be long.
For a long time I had a vintage stall, where I sold men's vintage clothing, and my girlfriend was convinced it was just to do with a problem I had where I just couldn't stop buying senseless clothes, even if they didn't fit me.
You just pour your heart and soul into a project, and everyone pays their dues, and everyone on the crew, everyone works so hard. Then you just don't know how the show ends up. You just hope that it turns out great, and you hope that people respond to it, and you hope that the network accepts a Season Two.
I just want to keep working and have a roof over my head.
I just always loved mythology, ever since I was a kid. Greek mythology was something I remember learning about in fourth grade, and Egypt, too, and something about both those things just clicked with me. I just thought they both were so beautiful and interesting to learn about.
I just worked really, really hard to stay in people's faces, so it would be hard to forget about me. I'm just trying to stay popular and do the same thing over and over.
I always respect right off the bat because we are human, but then over time you learn who the person truly is, just like they learn about you. Hope it works out really well, and you hope that builds a stronger connection over time. You can't be friends with everybody.
I think it's just my personality, or maybe just because I've been playing music for so long and working so hard at it, that I don't expect anything from it anymore. I just do my work and then hope that it works out.
That first pregnancy is a long sea journey to a country where you don't know the language, where land is in sight for such a long time that after a while it's just the horizon - and then one day birds wheel over that dark shape and it's suddenly close, and all you can do is hope like hell that you've had the right shots.
I've got loads of photographs of me at home with two orbs that visit me. The two that I have are about the size of melons. One sits on my arm and the other is usually in the back of the shot, sitting just over my right shoulder.
I know the world is filled with troubles and many injustices. But reality is as beautiful as it is ugly. I think it is just as important to sing about beautiful mornings as it is to talk about slums. I just couldn't write anything without hope in it.
Grandeur . . . consists in form, and not in size: and to the eye of the philosopher, the curve drawn on a paper two inches long, is just as magnificent, just as symbolic of divine mysteries and melodies, as when embodied in the span of some cathedral roof.
I would love it if people could look at chubby folks with all of our curves, bumps and ridges and just say 'She's beautiful' just like that. You don't have to get on a treadmill as long as your blood pressure is under control and you eat healthy, God bless.
I have literally wanted a vintage business for as long as I can remember, but I am glad I waited. I've learned so much over the past ten years. So much about quality, shape and how to spot what truly is vintage and what isn't.
One must be aesthetically long-termist in selecting a man - it's like purchasing a farmhouse in the south of France. Sure, it's beautiful to look at, but will the roof stay on?
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