A Quote by Matt Roper
Here I sit, beneath the large window of a first-floor Georgian flat, exploring the corridors of my sordid imagination for comedic words of beauty.
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We have to discard the past / and, as one builds / floor by floor, window by window, / and the building rises, / so do we keep shedding - first, broken tiles, / then proud doors... and each new day / gleams / like an empty / plate.
You will remember when a bird crashed through the window and fell to the floor. You will remember, those of you who were there, how it jerked its wings before dying, and left a spot of blood on the floor after it was removed. But who among you was first to notice the negative bird it left in the window? Who first saw the shadow that the bird left behind, the shadow that drew blood from any finger that dared to trace it, the shadow that was better proof of the bird's existence than the bird ever was?
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
Dinted dimpled wimpled-his mind wandered down echoing corridors of assonance and alliteration ever further and further from the point. He was enamoured with the beauty of words.
Imagination helps you to recognize the reality of facts, but then to go beyond them, to penetrate beneath them, to rise above them in your search for creative answers to problems. Imagination "stirs up the gift of God in thee." Through your imagination you touch and express the inspiration of the Infinite. Imagination, in the words of Shakespeare, "gives to airy nothing a local habitation and a name." You reach into the heavens to grasp an idea, then you bring it down to earth and make it work.
The point on nonviolence is to build a floor, a strong new floor, beneath which we can no longer sink.
Window-breaking does not necessarily occur on a large scale because some areas are inhabited by determined window-breakers whereas others are populated by window-lovers; rather, one unrepaired broken window is a signal that no one cares, and so breaking more windows costs nothing.
My living room has an oak-wood floor, Persian carpets, floor-to-ceiling bookcases, a large ficus and large fern, a fireplace with a group of photographs and drawings over it, a glass-top coffee table with a bowl of dried pomegranates on it, and sofas and chairs covered in off-white linen.
It's as if my left heel is my bass drum and my right heel is the floor tom-tom. I can get snare out of my right toe by not putting it down on the floor hard, and, if I want cymbals, I land flat on both feet, full strength on the floor.
The part of Limerick we lived in is Georgian, you know, those Georgian houses. You see them in pictures of Dublin.
I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel.
I sit at my window and the words fly past me like birds — with God's help I catch some.
The Europeans and the Americans are not throwing $10 billion down this gigantic tube for nothing. We're exploring the very forefront of physics and cosmology with the Large Hadron Collider because we want to have a window on creation, we want to recreate a tiny piece of Genesis to unlock some of the greatest secrets of the universe.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
I'd like to keep exploring comedy. I didn't necessarily think of myself as a comedic actress, but it's a lot of fun.
An aria in an opera - Handel's 'Ombra mai fu,' for example - gets along with an incredibly small number of words and ideas and a large amount of variation and repetition. That's the beauty of it. It's not taxing to the listener's intelligence because if you haven't heard it the first time round, it'll come around again.
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