A Quote by Matt Schulze
Before they did all those shows on Jackson Pollock, I loved the way he formulated his paintings. I loved Basquiat - I was into the whole Beat generation, Kerouac, etc., and all those artists talked about that and Kerouac, so I just got in the middle of being spontaneous.
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I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.
I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys
I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys.
Kerouac: You're ruining American poetry, O'Hara. O'Hara: That's more than you ever did for it, Kerouac
I used to take 'Visions of Cody' by Jack Kerouac on tour all the time. I don't really love Kerouac, but that book, you could just open at any page and find something incredible for that day.
Kerouac was the cowboy that inspired the whole Beat Generation, and highlighted and put the spotlight on all of these minds that didn't really know what they were doing at the time, but accomplished something much bigger than what they ever foresaw.
His parents never talked about how they met, but when Park was younger, he used to try to imagine it. He loved how much they loved each other. It was the thing he thought about when he woke up scared in the middle of the night. Not that they loved him--they were his parents, they had to love him. That they loved each other. They didn't have to do that.
I studied art at Queens College, taking very few courses in literature. But I've always loved reading poetry and grew up enjoying the so-called beat poets, Allan Ginsburg, Jack Kerouac, and Gregory Corso among them. The poems of Ogden Nash also inspired me, having first seen his work while browsing in a library when I was in the sixth grade.
If you tell certain people that you like Kerouac, they assume that's all you read, like you don't know anything else about literature. I recognize all the things that people dislike about the way he writes - his tone and the sentimentality of it all. But those books were there for me at a very important point in my life.
But yet, but yet, woe, woe unto those who think that the Beat Generation means crime, delinquency, immorality, amorality ... woe unto those who attack it on the grounds that they simply don't understand history and the yearning of human souls ... woe in fact unto those who make evil movies about the Beat Generation where innocent housewives are raped by beatniks! ... woe unto those who spit on the Beat Generation, the wind'll blow it back.
The history of American art, in a way, begins with Jackson Pollock and his big paintings. This theme of bigness - all painters and sculptors have dealt with it ever since.
I tended toward animated material that wasn't just for kids. I could tell as a kid watching those shows that I loved the jokes that I got but I also loved the jokes I didn't get because I felt that I was hanging out with a smarter, cooler audience.
I've loved Basquiat since I was 13. From his artwork to his interviews to the way he thought about things, I've always been excited by him.
America's Facebook generation shows a submission to standardization that I haven't seen before. The American adventure has always been about people forgetting their former selves - Samuel Clemens became Mark Twain, Jack Kerouac went on the road. If they had a Facebook page, they wouldn't have been able to forget their former selves.
I give all the credit to God, he's the one who keeps me healthy and I'm just doing what I'm doing. I love this sport. When I got into it I loved it and I've loved it since I was a young child. I'm one of those fighters that just really loved to fight and I embraced it.
With the artists that I named - Michael Jackson, Janet Jackson, Madonna, every time they come out with a new album, something's slightly different. In the case of Madonna, she'll come with one joint that'll be left, and then come totally right, but it's always hot. She's just got style. So, at the end, I want my name to be up there with those artists; for people to say, he's one of those iconic figures you can't put in a box.
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