A Quote by Matt Schulze
When I was 17, I taught music; I had 65 students a week, and I did that for a year. So that's pretty regular. But it was great to give the gift of music to people, seeing them learn. It's great to influence young people in a creative way.
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Rock & Roll is so great, people should start dying for it. You don't understand. The music gave you back the beat so you could dream. A whole generation running with a Fender bass...The people just have to die for the music. People are dying for everything else, so why not the music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?Perhaps I should die. After all, all the great blues singers did die. But life is getting better now.I don't want to die. Do I? - Lou Reed (1965-1968)
I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.
Music is a spiritual thing, you don't play with music. If you play with music you will die young. You see, because when the higher forces give you the gift of music...musicians hip, it must be well used for the gift of humanity.
Rock & roll is so great, people should start dying for it. You don't understand. The music gave you back your beat so you could dream...The people just have to die for the music. People are dying for everything else, so why not for music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?
Until MTV, television had not been a huge influence on music. To compete with MTV, the country music moguls felt they had to appeal to the same young audience and do it the way MTV did.
I had great, great times as a Little League coach. People were talking about me quitting acting, and they would say, What about your creative juices? Coaching is creative, because you could take a kid who thought he wasn't any good and, within four minutes, change his mind. And I didn't have to wait six months for them to put music to it.
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
There are a lot of people who wonder why Japan is a pretty consistent influence in my music, and I think it's because the reason I started writing - my intro to electronic music was Japanese music.
Honestly, I am hoping to influence young people, and Twitter's a great way to encourage them to lend their voice to the conversation. Any time you can show young people that you support gay friends and that there are gay people in the world who are lovely, happy, singing, and in love, it opens their minds.
I just try to play music from my heart and bring as much beauty as I can to as many people as I can. Just give them other alternatives, especially people who aren't exposed to creative music.
I just try to play music from my heart and bring as much beauty as I can to as many people as I can. Just give them other alternatives, especially people who arent exposed to creative music.
It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.
What is the best music is impossible to define. Just because it's played by a virtuoso player, doesn't mean it's great music. It might not reflect the soul of a people, which is really my criteria for great music.
It's what's missing, I think, from most music - the rebellious part. That rebelliousness is part of great rock music or great literature or any great creative stuff.
Music is the reason I started talking to people. When I started singing in bars and trains, I began to learn the behaviour of people. Music was the bait that helped me get something from them and give myself to them.
The people wanted to believe that the Negroes couldn't learn to read music but had a natural talent for it. So we never played with no music. I'd get all the latest Broadway music from the publisher, and we'd learn the tunes and rehearse them until we had them all down pat- never made no mistakes. All the high-tone, big-time folks would say, isn't it wonderful how these untrained, primitive musicians can pick up all the latest songs instantly without being able to read music?
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