A Quote by Matt Shea
When we got down there were some agent provocateurs, if you've never heard of them, these are people sent in intentionally into a group to create chaos and dissension ... There were two we identified down there that were trying to foment violence on either side, trying to really create a confrontation. Any time this stuff happens there's going to be agent provocateurs come in.
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My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
When we were first offered a book deal prior to Avon's, they were trying to get us to change it from the first-person story into a how-to book, and they were offering us some decent money. My agent told me; 'you should really consider this'.
When I was 17, I went to India for six weeks and had what, at the time, was a very challenging trip. You walk down the street and you see lepers and beggars, and there were several of us, a group of Americans. I remember we were just trying to park one night somewhere and people were just sleeping in the parking lot.
Beijing's Olympics were very grand - they were trying to throw a party for the world, but the hosts didn't enjoy it. The government didn't care about people's feelings because it was trying to create an image.
People thought they were going to make a lot of money. And then at one point, it got too hot, and the government wanted to knock it down. Trying to get it up and then knock it down, both were a mistake. And part of the reason, some people think, is that they wanted to equitize some of their companies. A healthy stock market helps equitize companies and reduce the country's debt burden.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
N.W.A were the audio-documentarians of their time. They were trying to shock people with the violence of their language and the subjects they were talking about. The fact that they dressed in guerilla outfits like the Black Panthers made them shocking by their appearance as well.
I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.
I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.
When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'
Well, of course it was a very trying time for me, and fortunately I had a lot of people who were supportive. A lot of people who were writing and calling and saying they were praying for me. Some people sent me Scripture, and that helped.
If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.
Black musicians were either trying to be American or trying to play down their Caribbean roots.
'The Sandberg Game' comes up all the time. Fans tell me where they were. They were driving down the highway, they were in the bleachers, they were downtown listening on the radio, they were on the farm on a tractor. I've heard all the stories where people have been. They're just amazed by the ending of the game and the thrill of it.
I'd heard about people having miscarriages when they were trying for babies, but my situation was very different. What happens if you weren't trying for a baby?
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
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