A Quote by Matt Skiba

They're great players. I'm not a Blues Traveler fan, though. I get it, but it's not for me. — © Matt Skiba
They're great players. I'm not a Blues Traveler fan, though. I get it, but it's not for me.
I think the blues is fine for blues players, but free blues has never made much sense to me.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I grew up listening to Patsy Cline. I was a huge Patsy Cline fan. I still am. Even though she's considered country, I think of her more as a blues singer. She's got a great blues voice, and she has such an amazing story, which I always loved.
I was lucky enough to get to see guys like Bugs Henderson, Jimmy Wallace, all those great Texas blues players.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I want to go wherever there's great work. I'm a huge fan of film primarily. But you can get a great TV show and get attached to it. Making a great film is forever, though, so I always want to be part of film. It's my first love.
All of my solos are blues based. Even though a lot of my songs get into pop, I wind up going back to the blues. Trying to escape it is like trying to run from the devil.
I'm a huge fan of film primarily. But, you can get a great TV show and get attached to it. Making a great film is forever though; so I always want to be part of film. It's my first love.
Even though I was a rock 'n' roll fan, hearing the raw blues was like listening to music on a much deeper kind of level.
The first record I heard as a kid? My dad is a great soul and blues fan, so he showed me James Brown. That was my first stuff, and I loved it.
I got one of the best sax players in the business - Arno Hecht. He plays with the Uptown Horns and all the great blues bands. He expresses the heart of the Apollo Theatre, let me tell you.
There were times I thought I was going to turn to the blues, but then I'd hear better blues players.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
Jimi Hendrix came from the blues, like me. We understood each other right away because of that. He was a great blues guitarist.
Blues Traveler is hot, and Big Head Todd, the Screamin' Cheetah Wheelies - all of 'em.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
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