A Quote by Matt Skiba

With Alkaline Trio, we are who we are. We never really feel too confined, but when we get together, there is an Alkaline Trio sound, and when I go off and do something on my own, there is an element of freedom that I don't have with the Trio.
I'm in Alkaline Trio; I guess I get to rip off myself. I give myself permission.
I love working with my band-mates in Alkaline Trio, but to make a rock record that was just mine was something that I wanted to do.
Orange County encompasses a large area that has a lot of Alkaline Trio fans.
We were fans of Green Day and Nirvana or whatever, but the bands we really loved were Chicago bands that didn't really sound anything like Alkaline Trio.
Touring with Blink helped introduce people to Alkaline Trio who otherwise wouldn't have ever heard of us.
And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit.
I was a bicycle messenger when Alkaline Trio was formed as a way to make ends meet and I've just always been a cyclist and then I got really into - through messengering - I got really into road bikes and fixed gears.
People like the idea of the trio and so I did mostly trio.
I was a bicycle messenger when Alkaline Trio was formed as a way to make ends meet before the band became a career, and I've just always been a cyclist - I BMX'd, and then I got really into - through messengering - I got really into road bikes and fixed gears, which I still have.
For Alkaline Trio, Chicago is our hometown. The band started there. Even though we all live in different cities now, we still call Chicago home, and it's always really exciting to come back and play for our best crowd.
The Sekrets record is very much me, and Dan's Emergency Room is very much him. And then Alkaline Trio is very much ours.
Me personally, I side more with punk rock bands. I grew up with The Misfits, The Dead Boys, The Damned, Dropkick Murphys, and early AFI. That was the stuff that really got me into music. Song writing wise, bands like Alkaline Trio were very important to me for beginning to write songs.
The Edith Head Trio, I would say, would be even less of a musical career than playing the accordion, particularly because I played the accordion in The Edith Head Trio. I'm very impressed by your Googling. The Edith Head Trio and another band, Tzamboni, were two bands I was in after college that played at tiny clubs to little acclaim. Our Gypsy tango version of "When Doves Cry" was our biggest hit.But we were not destined for greatness.
The trio is the biggest sound you can have with the smallest unit.
There is something magical about three you know - a trio is tight and nicely economical.
When I was about 18, I really started diving into Dave Matthews Band and John Mayer Trio and some of those things that have jazz elements but also a pop feel.
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