A Quote by Matt Skiba
I think who I am as a person on and off the stage is always kind of the same thing, but I don't take a lot of things very seriously.
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I think ballet has influenced my personality a lot in the sense that I am very disciplined in all of my endeavours. I am always on time; I take things very seriously. I've built up my inner strength and self-esteem over time as I've improved as a dancer.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it
go.
I live on a boat two months out of the year, and if I did not have that then I don't know how I'd be able to handle all this.... I am a very intense person on stage. I have to remember why I am there, what I am doing. You can spend all day backstage preparing for the show and lose sight of why you are doing this. Off stage, I am a very simple kind of guy. I live my life in flip-flops.
It's funny, a lot of people think I take myself seriously because I come off so serious sometimes. But it's not that I take myself seriously, I take what I do seriously.
I always like to say, I am to most phenomenal thing that touched men kind...lol, lol. Yeeaa Men.. Besides that, I don't eat a lot; I don't eat a lot of carbohydrates. I am just naturally big like this, that's all. That's just something I do, if people see me on stage they are always like "man, that dude is huge". I mean I am in a good shape, I don't drink or smoke, so there are a lot of things I don't do.
I've always made things either paintings, drawing, photographs, or writing. It's all kind of the same thing. It all involves saying more, I guess. It involves separating life, breaking off this chunk that's devoted to making something. There's a lot of pleasure in that, but there can also be a lot of struggle. There's always this fantasy that you could just live life and not have to think about it.
I think it's always very important to be comfortable and just kind of expressive; if you take fashion too seriously, then you lose the fun of it. I think you should always take the risk.
I'm very quiet off stage. I think I'm a pretty boring person. I'm not super talkative; I spend a lot of my time running and zoning out. I spend so much time trying to write jokes and 'be on,' so when I'm finally off stage, I just want to sit.
I'm very prescriptive about my routine. Almost nothing changes: I have the same meal - pasta with Bolognese sauce - between shows; the person who dresses me stands on the same side every time; I take the same route to the stage. I'm very OCD about these things, as most actors are.
I think it has something to do with being British. We don't take ourselves as seriously as some other countries do. I think a lot of people take themselves far too seriously; I find that a very tedious attitude.
A lot of people probably get the idea that I'm this extremely calculated kind of guy, and in a lot of ways, I am. But when it comes to music or artistic expression, I'm very uncalculated and do things very spontaneous. If I didn't do that, I wouldn't want to do this anymore. I can't just play the same thing over and over; it would drive me crazy.
I am interested in a lot of the same things people are interested in. I am trying to raise kids without them self-destructing. I am trying to hold the marriage together, and I am trying to take off the same 10 pounds everyone else is.
I do have a very conscious desire not to be academic. I'm antiacademic. I hate jargon. I hate that sort of pretension. I am a person who [commits] breaches of decorum - not in private life, but in my work. They are part of my mode of operation. That kind of playfulness is part of my nature in general. The paradox that, in a way, to take something very seriously, you can't always be serious about it.
I am honestly very intimidated when I meet new people and they expect me to be the onscreen Vir. On stage, I say a lot of things I might never say in real life; I am never the life of the party. People are quite surprised to see that I am more of a quiet artiste off stage.
Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.
Acting for screen is very different from acting on stage, and then obviously when you dance... everything is a physical embodiment. But the discipline is the same approach. You have to take both things seriously; nothing well-crafted is by mistake.
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