A Quote by Matt Smith
Lyrical content is very important to me. I'm always trying to make sure the lyrics and music complement each other perfectly.
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I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
There are a lot of unspoken things with me and Nimai [Larson]. We're very yin and yang, neither one of us really treads on each other's toes. She's this wizard of the rhythm world, and I know nothing about that, but I can dabble with melody and lyrics and that's something she doesn't really have any interest in. We complement each other in that way.
People used to talk about my lyrical content and not about my music, and to be honest, I think I have got lazy with my lyrics over the years.
My dad has pretty much taught me, he's built this thing with me, he trains with me, practices with me, goes to the gym with me, we battle each other at the go-kart track. We're so competitive with each other, and I feel like we both make each other better because we're so hard on each other, just trying to be the best we can.
One thing that I've always tried to do is create lifts - the moment that you have a rush of feelings. That's always something that I'm trying to communicate in music, and particularly the style of music that I write for Japanese Breakfast: I'm always trying to build things up into each other.
The writing, acting and the directing all complement each other and make each other better. It's one of those amazing instances where everything seems to come together.
You can't ask me to explain the lyrics because I won't do it...I always believed that I have something important to say and I said it. That's why I survived because I still believe I've got something to say. ... I don't like overdubs, never liked them. ... The music business doesn't interest me anymore...Don't the people you're around shape the music, is that what you're saying? Everything does. ... I'm not joking around when I've said occasionally, trying to learn how to play a D chord properly has been a very big thing for me.
We all allow each other to explore our individual things that make us happy, and so we're just being supportive of each other and making sure we focus on Fifth Harmony, and what's important to the group is important to all five of us.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
Our music is always, as you know, very spacey- computer graphics, music, images, lyrics, and visual art we make ourselves, or that we make with artists. And it's all synchronized.
It is impossible for any single medium to fully capture the emotion and intensity of war. The Battlefield 3: The Russian novel is one window into the experience, and the game is another. They complement each other perfectly.
It's a total big difference between a person that got lyrics and a person that can make hit singles. I'm a person that can make some hit singles. I'm not in no booth trying to be a lyrical genius. I'm preparing to make me some singles, and as I develop as a man, then they'll respect my emcee skills.
The lyrics are what I work on the hardest, but I'm not trying to make a perfectly clear message or anything like that. In fact, I'm usually trying to avoid saying something too directly, because usually that rings false anyway.
It is not our purpose to become each other; it is to recognize each other, to learn to see the other and honor him for what he is: each the other's opposite and complement.
In regards to live shows, space is very important to me. Space and context should complement the music in some way; you gain so much from it. It enhances the dialogue between audience and performer. I'm very much aware of this when choosing venues. I say no to 90% of booking offers. Somehow I feel the venue needs to make sense.
Bringing together disparate personalities to form a team is like a jigsaw puzzle. You have to ask yourself: what is the whole picture here? We want to make sure our players all fit together properly and complement each other, so that we don't have a big piece, a little piece, an oblong piece, and a round piece. If personalities work against each other, as a team you'll find yourselves spinning your wheels.
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