A Quote by Matt Smith
I think that every artistic venture is a risk, and it has to be that way, so you do as much preparation as you can and make that as thorough as you can possibly make it, until you turn up on set. It's about taking risks, and some might work and some might not, but that's what makes it interesting.
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I pride myself on taking care of my body. I make some sacrifices. I might not go out as much as everybody else or I might not... I don't drink.
Every goalkeeper has a different way of playing. Some will take risks to help the team - coming for high balls, being prepared to be attacked in the box knowing there is not much protection from the referees - but that might mean they make more mistakes. Some try to be safer to avoid those situations, but it does not help the team.
At some point, you're growing up and might think, 'If I can make a lot of money, I'll be successful.' You make some money and realize success isn't about that.
There's a possible qualification I can make here about a non-pantheist god that is in some way tenable, and that is the idea of a god that has in some way discharged the universe from its own substance (I associate this with the word 'tzimtzum'), possibly even by a form of suicide - a suicide that might have been the Big Bang.
I come from the mind-set that, if you want it to work, it will work, whether it's a friendship or a relationship. If you're both in the same mind-set and you want to be together and you want to make it work, you can make it work. It just takes dedication and knowing that there might be some miscommunication and lack of communication sometimes.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
You spend so much time developing a character when you do a film; so much of your work is done before you get set to shoot because you've been working on the character: the way he walks, the way he talks, what might upset him, what might make him happy.
Nobody can quantify for you what's the impact of eating fiber every day, for instance. We can say we think it's good. But some people might say 'Oh, it reduces your risk of colon cancer by 20%, some people might say it reduces your risk by 25%.'
My feeling is... when you show up to a movie set where there's, like, 50 people standing around and months of preparation gone into it, you want to be as prepared as possible, so you should make a million baguettes. That might not actually help in any explicit way, but it'll make you feel more prepared.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
Be willing to take some risks in the areas of work and money. If we do only what we think we should do in order to make money and be secure, we won't listen to the intuitive voice that tells us to try something new, to be more creative, or to move on to the next step on our path. When we listen to our intuition and take some risks, we are not alone. The universe will support us and reward us for taking risks on its behalf!
Just taking risks for risk's sake, that doesn't do it for me. I'm willing to take risks that I think are worth it, and I've worked so hard to make sure that I survive.
If you're doing an experiment, you should report everything that you think might make it invalid - not only what you think is right about it; other causes that could possibly explain your results; and things you thought of that you've eliminated by some other experiment, and how they worked -to make sure the other fellow can tell they have been eliminated.
Now there's some night terrors that happen in adults. And if it starts as an adult and you've never had them before, then there might be other things that are happening; it might be anxiety, depression, stress. And that's when you might have more of a thorough psychological evaluation.
I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind.
All I wanted to do was be a professional film director with a body of work, and you're going to make some good films, some bad and some indifferent. You don't set out to make a dog, you set out to make something good. But I like them all.
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