A Quote by Matt Sydal

I have a little dojo in Clearwater called the Sai Dojo and I've just been putting in extra work there and so, when I get a chance to wrestle now, my comfort level in the ring is higher, my skills are sharper and I just felt like I couldn't have a better time to get these huge opportunities.
They speak of "This Dojo" and "That Dojo". They are looking for profit.
I have been given many teachings by Sarutahiko-no-O-Kami. OKami told me, 'By the work of Takehaya Susanowo no Mikoto, you will worship the Ame no Murakumo KuKamisamuhara Ryu O (Kami of Takemusu) and build an Aiki shrine and dojo.' Then I built the Aiki shrine and dojo in Iwama, Ibaragi prefecture in 1940.
Let`s teach those people that when they go to work, they get skills, they meet people, they get opportunities, they get to climb the ladder, they get much better off than the person who`s just sitting at home receiving those things.
So I hope to stretch my acting skills. I got to a point in my dancing where I felt like I did so much hard work and I achieved a lot of great things, and I wanted to try something else and put that same kind of commitment that I did into my dancing into something that I was also passionate about. I had so many opportunities with my dance and now I'm just excited to get better as an actress.
I just find that with music I've always felt a sort of comfort."Paranoid Android" was the saddest song I'd ever heard in my life, but it felt so good - it was like, "Oh, you understand where I'm coming from." I was at a weird age at the time, in a hardcore band that had no melody, no chance of finding any success, and I was just trying to figure out what the hell I was going to do with my life. And that came out and changed my life forever - on an artistic level, and a lyrical level, for sure.
To go from a small wrestling dojo to the Performance Center was just mind-blowing. The sheer scale - I didn't think anything like that could possibly exist.
On stage I am the actor, director and the bouncer all at the same time. Fear does not exist in this dojo does it? No Sensi! Sorry when I get excited I have to toss in some Karate Kid quotes.
Clothing sizes are weird, they go: small, medium, large and then extra large, extra extra large, extra extra extra large. Something happened at large, they just gave up. They were like, 'I'm not doing any more adjectives; you just keep putting extras on there.' We could do better than that: small, medium, large, whoa, easy, slow down, stop it, interesting, American.
I still can improve a lot on my defense. I just have to keep perfecting my skills and keep progressing. You're going to see a better Errol Spence next time I get in the ring.
A martial arts practice hall, a dojo, is a place you go to practice being the best you can be. But the true combat in a dojo is not between one person and another as most people believe it to be. The true combat in a martial arts practice hall is between the people within ourselves.
I only ever get to work with Naito once a year. I'd love to wrestle him again. Yeah, he's good, for sure. The person I've never worked before in a New Japan ring - and I'd be happy to get the chance and show the difference of styles - is Zack Sabre, Jr., so that'd be another one. Yeah, he's one of my favorites.
I had spent three years in jails and prisons, and then all of a sudden I'm in Japan in this dojo. It was just so surreal. I was this young kid and nobody even knew what I was doing there.
I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.
As badly as everybody feels like I'm a sellout for one thing or another, I guess, ultimately, when it came to wrestling, I just wanted to wrestle where I want to wrestle. And something had to be bigger and more important than the money, and for me, it was the time inside that ring.
We've all seen talented young players who get to a certain level but there comes a point where that talent will only take you so far. The great players go away and work on extra things. They work harder on their skills, they start having early nights and they think about their diet and training. That is what takes them to the next level.
A lot of the time, you see all this ambition from these black actors, and it's just pouring off the screen. Because they don't often get a chance to work, and when they do, they don't usually get a chance to work with other black people.
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