A Quote by Matt Walsh

I've seen several funnel clouds as a kid, too. They're cool if, you know, they're, like, two towns over, but they're scary as hell if you know they're coming your way. — © Matt Walsh
I've seen several funnel clouds as a kid, too. They're cool if, you know, they're, like, two towns over, but they're scary as hell if you know they're coming your way.
When I look at the clouds over the Earth, and I know how high clouds are, I get a sense we are really, really far above those clouds. I wouldn't call it scary, but I am aware I am in space.
You know," I said, holding my ground. "I gotta tell you. The goatee thing? Yeah, way over. And you know a little jewelry really does go a long way. Just something you might want to consider. I'm actually glad you stopped by, because I have a couple things I've been meaning to say to you. Number one, about your wife? Yeah, she's a skank. And number two, you know that whole thing where you killed Jesse and then buried his remains out back there? Yeah, way un-cool.
Everybody seen me talking to Frank Ocean, so they know something is coming, so something is coming with Frank Ocean - just wait on it - and, you know, people were just like, 'Whoa, Rich the Kid found Frank Ocean!'
My mother told me when I was a kid that each time we get to what feels like the edge of a cliff, we have two choices: to turn around and run, or to jump. I have learned over time to jump - and though it is scary, I know somewhere inside me that I will be caught.
At least there's nothing scary about him and hopefully he doesn't see anything scary in me. We go way back, to summer camp. We KNOW each other. People I don't know just make me want to say YIKES! I'll take history over mystery any day of the week.
Until you have a child, you won't really understand that you would actually throw yourself in front of a bus for your child. Like, you don't really get it. Like, it's like, 'Hell no.' You know, 'She's only two. I can make another one.' You know? But, you know, you have a baby, and then you actually care about this person.
I know what it's like to be a teenager in Orange County. I know what it's like to be a kid in L.A. I know what it's like to not have any money and have your lights turned off. I know what it's like to live in a house with five rooms.
Cool is spent. Cool is empty. Cool is ex post facto. When advertisers and pundits hoard a word, you know it's time to retire from it. To move on. I want to suggest, therefore, that we begin to avoid cool now. Cool is a trick to get you to buy garments made by sweatshop laborers in Third World countries. Cool is the Triumph of the Will. Cool enables you to step over bodies. Cool enables you to look the other way. Cool makes you functional, eager for routine distraction, passive, doped, stupid.
There are generations of people who have never seen a big plate painting in person. And they don't know what the hell they look like, they don't know what it feels like to stand in a room with them.
I think that when you're young, you carry the weight of the world on your shoulders. You're anxious; the world seems like a scary place. You don't know where you're going to fit in, what you're gonna do with your life - but actually, life has a way of sorting itself out, and universal law takes over.
So, you're like Angel? (Amanda) You watch way too much television. Angel has a soul. I don't. (Kyrian) Now you're back to being scary again. (Amanda) Baby, you ain't seen scary yet. (Kyrian)
There's tons of anger and angst and peculiarity and eccentricity, and good towns know that that's okay. But towns that are kind of bullshit don't know what to do with all those feelings.
Kansas is not easily impressed. It has seen houses fly and cattle soar. When funnel clouds walk through the wheat, big hail falls behind. As the biggest stones melt, turtles and mice and fish and even men can be seen frozen inside. And Kansas is not surprised. Henry York had seen things in Kansas, things he didn't think belonged in this world. Things that didn't. Kansas hadn't flinched.
I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.
Most people would trade everything they know, everyone they know- they'd trade it all to know they've been seen, and acknowledged, that they might even be remembered. We all know we die. We all know the world is too big for us to be significant. So all we have is the hope of being seen, or heard, even for a moment.
When I was kid, I remember playing 'Vogue' by Madonna over and over and over again. And ah, you know, something about the beat was really cool, and Madonna, visually, was on TV all the time and I thought she was just so beautiful.
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