A Quote by Matt Walsh

When I started doing improv in Chicago, for every five teams, one or two would have one woman. — © Matt Walsh
When I started doing improv in Chicago, for every five teams, one or two would have one woman.
In Chicago, anything that you're doing, the community gives it value. Every little improv show, every scrappy reading, and every lead on a Goodman mainstage. It's all a promising opportunity for a young actor.
I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
I'm an improviser. I came up doing improv at the U.C.B. Theater in New York for seven years. That's where I started, so improv is what I love.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
The handwriting is on the wall: if you want to have your franchises viable, then you can't have a situation where New York and Chicago and Los Angeles are doing very, very well, and some other teams are, but, I would say, a significant percentage of the teams in our league are struggling financially.
That was a huge part of my training, doing improv in Chicago.
We started off in improv and sketch comedy, and with improv the most important thing is to listen and make sure you're not stepping over someone, so we've been trained for such a long time doing that.
In every game, there's three teams out there. There's the two basketball teams and the team of officials. If the two teams are evenly matched, it can come down to number of possessions. If one out-of-bounds call goes the wrong way, that can be the difference.
Improv changed my life in the best way. I gained so much confidence and really learned how to use my sense of humor to do something other than make sarcastic comments to the TV, though that remains one of my best skills. I stayed in Chicago for college mainly to continue doing improv, which was an awesome decision for me.
My character started off on 'Chicago P.D.' as the brother to Detective Jake Halstead, and then I also played on 'Chicago Fire.' So, I really worked on both shows before 'Chicago Med' even started.
If there's one regret I have of my time in comedy it's that I really I was so obsessed with improv for so many years and I exclusively did improv for the first 6 years or 7 years. I was doing comedy and then I started doing solo work and stand up, a bit of writing, making videos, and really going into it on that end.
My first improv was Second City in Chicago. Before that, I worked at - with a partner, doing comedy sketches.
I love improv-ing, you know, from very early on when I started acting the school that I went to and everything was very big on ad-libbing and improv-ing and messing things up, so I feel very comfortable doing stuff like that.
Most teams have one All-Star, whether that guy made it this year or earlier in his career, and some teams have two All-Stars. What theyre showing is that a group of five guys that play together and play hard will always beat a team with two All-Stars and three average players.
I started doing improv comedy in 2007, and I think it was that that gave me the confidence to try doing stand-up!
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
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