A Quote by Matthea Harvey

I don't like basements, but definitely basements could be poems. Not fond of skin diseases, but again, there's a pattern. Probably anything could be a poem. — © Matthea Harvey
I don't like basements, but definitely basements could be poems. Not fond of skin diseases, but again, there's a pattern. Probably anything could be a poem.
At a time when all the other builders were selling homes with basements but without carports, we would sell homes without basements and with carports. This allowed us to provide a more appealing product at a lower price. In other words, we felt we would be giving customers greater value.
I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.
I've never met anyone who's left a comment on anything. It's just demons who live in basements.
I remember laughing an inordinate amount of time. Setting up scenes that involve ooze coming out basements, or pigs' heads flying through windows is really fun. How could you not laugh?
I used to stand on the corner in San Diego with poems sticking out of my hip pocket, asking people if there was a place where I could read poems. The audience is half of the poem.
I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.
After I quit my band, I definitely was so full, like I'm so full I could never eat again. I had that kind of feeling where the elements, like the touring stuff, were harder for me and I definitely felt fine not experiencing it again.
I would love to do a reunion tour if it only involved basements across the U.S.
I've performed in basements and at supermarkets. The crowd would be yelling and throwing things at you.
'Finally' actually started out as a poem. I always wrote poetry, and pretty soon I figured out that if I could write poems, I could write songs.
Studios always seem to be in basements without natural light and with black everything.
Most people who are trying to write kind of sit in their basements and pull it out of their imaginations.
Kids are meeting in coffee shops and basements figuring out what's unsustainable in their communities. That's the future.
I would read the Shel Silverstein poems, Dr. Seuss, and I noticed early on that poetry was something that just stuck in my head and I was replaying those rhymes and try to think of my own. In English, the only thing I wanted to do was poetry and all the other kids were like, "Oh, man. We have to write poems again?" and I would have a three-page long poem. I won a national poetry contest when I was in fourth grade for a poem called "Monster In My Closet.
i could see the veins through your skin like a map to inside you. how could skin be that thin? i was so afraid you might drop and break. i stopped breathing so you wouldn't.
I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form.
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