A Quote by Matthew Ashford

I don't know if Jim was a major part of that or not. He is one of a small group of real storytellers. He has enormous imagination and ability to write. I'm glad he's coming back. It's going to be good for the show.
I had to learn that a good actor, like an iceberg, reveals only a small part of his ability on the surface. You suggest; you don't serve on a platter. You hold back. You don't expose it all to view. That's the way to put the audience's imagination to work.
Let's be honest, you and I have probably seen a whole lot of family films - you have to do something special. Jim Strouse has the ability to write this hairpin turn between emotion and comedy that is very real. In real life, you don't have time to prepare for the bad stuff and you don't have time to prepare for the good stuff, it just sort of happens.
The 19th-century pure capitalist model of society was a pyramid, concentrations of enormous wealth in a small group at the top, a not very big middle-class in the middle, and an enormous percentage of the population in the bottom part of the pyramid.
Having small group once a week gives me a lot of encouragement and accountability. Even though I go to church, I don't really know many people there, but my real community is my small group.
But your book is wrong, Mrs. Strunk, says George, when it tells you that Jim is the substitute I found for a real son, a real kid brother, a real husband, a real wife. Jim wasn't a substitute for anything. And there is no substitute for Jim, if you'll forgive my saying so, anywhere.
'Lost' is such a thematic show that I'm always afraid that if I know something's going to happen at the end, I'll subconsciously write something in where someone who's astute will go, 'Oh, he used so-and-so's theme: that must mean so-and-so is coming back!'
I don't think of writing my poems for China or for the world. I mainly think of a small audience of friends and people I know. I am writing for that small group. They are not necessarily going to be able to read it, but that's what I have in mind when I write.
'Parks and Rec' is definitely a mainstream show - the group that watches it on TV on Thursday night is small, but the audience that watches it on things like Hulu, Netflix, and Tivo is enormous.
It's very, very hard to create something that is big these days because you have niche markets - and, you don't necessarily need to be big; the show is specifically created for a small group of people. You know, if it's on the USA network, well, then a small group of people is fine.
My favorite part of a roller-coaster ride is when you're going up and you're slightly scared and really excited. You don't know what's coming next but you know it's going to be good. You can't handle it, go on the carousel
My favorite part of a roller-coaster ride is when you're going up and you're slightly scared and really excited. You don't know what's coming next but you know it's going to be good. You can't handle it, go on the carousel.
It takes a lot more than ability to run fast; it takes the ability to keep coming back and coming back.
I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.
I was really happy with Mike [Green]. Not only was he contributing offensively, but he was really making good plays, good decisions. Defensively, he was really strong. For a debut, I didn’t know how he would be just coming off a little bit of an injury. He was real strong. I’m glad he got through that. I think he’s looking forward to a good season now.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
Part of our job as storytellers is to show people pockets of the world that they don't know. The more we understand, the more we don't judge.
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