A Quote by Matthew Brannon

I've often been given the career advice to not wear too many hats, which, of course, has just encouraged me to wear other hats, such as being a writer, being a curator, or just doing anything outside of the definition of an artist.
He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
The thing is hats don't really suit me because my head's too big, so I always just end up looking like an idiot. So I tend not to wear hats.
I love hats; I love putting hats on. They are artwork. You can always go out and find a dress to wear for some occasion, but there are not that many occasions you can wear a hat.
At different points, I applied to graduate school. I got into medical school. I thought about being a writer. I thought about being an investment banker. I just didn't know what I wanted to do with myself. I think the thing that best suits me about being a C.E.O. is that you get to exercise many different talents and wear many different hats.
The kids can see that there are more parts to me than just being their mom; I wear a couple of different hats and have other roles to play.
I look up at the ceiling, tracing the foliage of the wreath. Today it makes me think of a hat, the large-brimmed hats women used to wear at some period during the old days: hats like enormous halos, festooned with fruit and flowers, and the feathers of exotic birds; hats like an idea of paradise, floating just above the head, a thought solidified.
I never stopped being a mother, and I never stopped being an artist. Which is probably why my kids are so creative. When I'm with my kids I'm creating but I'm still a mom. I don't wear two different hats. My kids have always been on the set with me. I was breastfeeding on set. None of my kids would take a bottle so they could not leave my side for a very long time.
I was born into wearing hats - it's a family thing - and I wear hats all the time.
Hats are radical; only people that wear hats understand that.
The hats of all eras thrill me. People don't wear them anymore. So when you see an outfit completed by a hat (that's for men too) it's thrilling. Especially if it's a Cloche from the 20's or a "Peter Pan" from the 30's, a Homburg from the 50's, or a Stingy Brim from the 60's. It's time stamping. Today everybody just wants to wear a baseball cap!
I always get hats but never have the nerve to wear them. Hats are a thing that are really stylish, but you have to have the confidence to pull it off.
Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!
I wear a lot of different hats - from writer to producer and artist. We all do 5 or 6 jobs, everything from creating our own graphic design to actually recording and the whole bit.
I love hats, I'm such a fan of hats. You don't wear a fascinator everywhere you go, but there are ways to incorporate old Hollywood nuances into your looks today but also edge it up.
As a writer, as much as I try, I can't stop writing female characters. They have so much more to offer; they have to wear so many different hats. There's so much wonderful gray matter in a female's life that it just makes for a stronger character.
There are the guys that wear the white hats and they're painting the picture of someone to wear the black hat and they chose me - even though they don't really know me.
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