A Quote by Matthew Collings
It was as if he (Sigmar Polke) painted his imagery in a highly wrought way, instead of a calculatedly dumb way, or mechanical way, by silk-screening or by tracing from epidiascope projections, and so on.
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I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.
Spring is on the way; summer is on the way; storms are on the way; wars are on the way; sorrow and happiness are on the way; they are all on the way, they are coming! Everything is on the way! Life is a highway; while we are moving on the way, all else is coming towards us! Devil is on the way; angel is on the way! Stay firm on the way!
In a way, this kind of insight or recognition often permeates the way I think of character, how I plot action, and the way in which I use imagery, seeing binaries as false.
I can't believe you jokers fixed it." Hi was picking his way down to the beach. "Believe it, clown. Too much brain power here to fail." Still pumped, Shelton threw another palm Ben's way. "Oh, I'm sure." Hi streched, yawned. "It was something highly technical, I suppose? Something requiring mechanical ability? Nothing as simple as tightening a wire or flippin a switch, right?" Ben reddened. Shelton developed an intrest in his sneakers. Score one for Hi.
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
[Kane to Rose] I'll never forget the way you looked walking toward me. I never thought that I'd have a woman like you in my life. It's all there etched in my brain. And now, the way the light pours over our hair, the way all that silk shines, so black it's nearly blue. The world disappears when I'm holding you.
I appreciate zeal and energy and passion but in our zeal, we just need to do it in a loving way and do it in a compassionate way, not share our faith in a robotic or mechanical way, but interact with the person, listen to them, and respond appropriately to their questions.
There's not 20 ways. It's not your way. It's either God's way or the highway. That's it. If you want to get to heaven, you have to come God's way, and the way that God established was the way of His Son dying on the cross.
I've always been leery of comical artists because I think oftentimes they're hiding the fact that they're not that talented. For example, with Martin Kippenberger, I always thought he was a kind of poor man's Sigmar Polke - also a humorist - but Kippenberger used humor to get away with things he couldn't master.
The best way to make a silk purse from a sow's ear is to begin with a silk sow. The same is true of money.
I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.
I always tried to watch the pitcher and his complete windup from the moment he had the ball in his glove all the way through his motion, and tried to follow it all the way out of his hand, all the way to home plate.
My life is really a history of observing forms and taking in imagery. I don't mean in a photographic way, I mean in a way of feeling them structurally.
Life on earth is a whole, yet it expresses itself in unique time-bound bodies, microscopic or visible, plant or animal, extinct or living. So there can be no one place to be. There can be no one way to be, no one way to practice, no one way to learn, no one way to love, no one way to grow or to heal, no one way to live, no one way to feel, no one thing to know or be known. The particulars count.
God decided to create a species with whom he could have fellowship. Who are we to say that evolution was a dumb way to do it? It was an incredibly elegant way to do it.
And it's about a three-month process every screening. And that way we have seven or eight chances at the film before we have to actually build the models, build the sets, do the animation and all of that. So it's a - I think that's a real key to the way we make films.
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