A Quote by Matthew Collings
Colour can be the true main thing in art that is widely valued – even valued by the maker of the art – for other meanings.
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It is, perhaps, a better thing to be valued only as an object of passion than never to be valued at all.
We honor ambition, we reward greed, we celebrate materialism, we worship acquisitiveness, we commercialize art, we cherish success and then we bark at the young about the gentle arts of the spirit. The kids know that if we really valued learning, we would pay our teachers what we pay our lawyers and stockbrokers. If we valued art, we would not measure it by its capacity to produce profits. If we regarded literature as important, we would remove it from the celebrity sweepstakes and spend a little money on our libraries.
One of the distinguishing characteristics of the true work of art is that it is able to both contain and express different meanings - meanings which may in fact contradict each other.
It's true that what is morbid is highly valued today, and so you may think that I am only joking or that I've devised just one more means of praising Art with the help of irony.
There are stereotypes that have been out there for a long time that tell girls that their main asset, the main thing that they are valued for, is their appearance and also that it's to the exclusion of anything else.
Of all the seasons, winter is the most conducive to the great art of dormancy. This art requires an appreciation of semi-consciousness: the beautiful and necessary prelude to sleep - a special pleasure in itself that is all too often neglected, under-valued or looked down upon.
In an oppressive society the truth-telling nature of literature is of a different order, and sometimes valued more highly than other elements in a work of art.
In any culture, subculture, or family in which belief is valued above thought, and self-surrender is valued above self-expression, and conformity is valued above integrity, those who preserve their self-esteem are likely to be heroic exceptions.
I am more likely to get paid for my art if it's presented alongside a white artist, so the questions around value and agency arise: What choices should I make, or do I have to make, if I want to be compensated for my work? Why isn't my art valued on its own?
The most objective measurement we have is that the market actually valued the two split Ethereums more than it valued the one original Ethereum; the market viewed it as a good thing, and I don't see it as any sort of disaster whatsoever.
Every man is valued in this world as he shows by his conduct that he wishes to be valued.
It is, perhaps, better to be valued as an object of passion than never to be valued at all.
There is a deep question whether the possible meanings that emerge from an effort to explain the experience of art may not mask the real meanings of a work of art.
The time and the quality of the time that their parents devote to them indicate to children the degree to which they are valued by their parents. . . . When children know that they are valued, when they truly feel valued in the deepest parts of themselves, then they feel valuable. This knowledge is worth more than any gold.
Art is a thing where, the least likely thing that you think is going to be art, is precisely the thing that is going to be art. And I would even hold that true to a reality television show... maybe the entire overarching process of the show actually exists as an artistic structure.
Obviously, the intention was not to go back to images traditionally valued as worthy or holy images and shapes, but exactly the opposite; its main purpose had to be, to realise as sacred art anything which so far had been regarded as of little value and pitiful.
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