A Quote by Matthew Desmond
It is very rare in the life of an intellectual to see your support network show up all at once.
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I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.
As a network, they're not the network that usually picks things up after the first episode airs. They definitely have a methodology that they follow. But they're very happy with the show [Into the Badlands]and they're very excited with how it's performed.
I found myself in network always trying to play catch up because once things get going there's no time to fix this and that. And also the writing, it was more inclined to be by committee in network which drowns out the purity and the voice of the show.
When you book a network show as an actor, it's like, 'Oh my gosh, I booked a network show,' and then it gets picked up.
Every job in Hollywood is a risk. You don't know, when you sign a contract, if something is going to pop, you don't know whether this or that network is going to support your show. You just show up and do the best work you can do, gravitate towards the best material, you know, and try to make the right choices. And the rest of it is a roll of the dice.
Disadvantaged kids many times don't have the support network that we all have. I know how important my parents were in my life and many of these kids don't have that support network.
I think when you're on a network show, it's crazy how different it is... just being on a network show that reaches that many people. It's not like I'm very famous, but seemingly overnight, I would get recognized more, and it was really weird.
It's very rare to have rehearsal time on a television show: You get scripts, you show up, and you do it.
Rebuilding a network is a slow, brick-by-brick process. It's not just creating a hit show - it's building shows to back up that hit show; it's creating an identity of success so that people want their shows on your network.
As an actor, you very rarely have the experience of picking up a script and getting a few pages into it and realizing that what you're holding in your hands is not just a role on a TV show, but it's one of those special parts that comes along, once or twice in a career. If you're lucky, you get an opportunity to do something really memorable and to be part of one of those rare shows that passes into that special category.
I think that 'Lost' is a bit of a dinosaur in terms of the type of show it is. The economics just don't support making a show this big and complicated profitable enough for a network.
When you grow up, you tend to get told that the world is the way it is, and your life is just to live your life inside the world. Try not to bash into the walls too much. Try to have a nice family life. Have fun, save a little money. That's a very limited life. Life can be much broader, once you discover one simple fact, and that is everything around that you call life was made up by people who were no smarter than you. And you can change it. You can influence it. You can build your own things that other people can use. Once you learn that, you'll never be the same again.
I fall asleep on the couch in front of the TV. It's very rare that I see the end of any show.
We have to do what I would call anomalies: we have to look for strange things that show up once in a while. They don't show up all the time. We have to be scanning the horizon, and doing that, once in a while something will show up that makes a lot of sense, and then you act on it.
When they don't have your back on a show, it's the worst feeling ever. That energy trickles down to the cast and crew. You can feel when it's not gonna be a winner. But when you have the support of the network and the studio, it's a really good feeling.
When you're starving or wrapped up in a cycle of binge-ing-and-purging, or sexually obsessed with (someone), it is very hard to think about anything else, very hard to see the larger picture of options that is your life, very hard to consider what else you might need or want or fear were you not so intently focused on one crushing passion. I sat in my room every night, with rare exceptions, for three and a half years.
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