A Quote by Matthew Desmond

'Sag Harbor' brought me a new readership - it's a coming of age tale about growing up in the '80s. — © Matthew Desmond
'Sag Harbor' brought me a new readership - it's a coming of age tale about growing up in the '80s.
The readership for 'Sag Harbor' was different from people who'd read me before - it was linear and realistic, not as strange as 'The Intuitionist.' Did they carry over to 'Zone One,' a story about zombies in New York? Some, some not. I'm used to people not caring about my other books.
For me, it was watching the New York Giants growing up, with Bill Parcells and Lawrence Taylor and that whole crew coming up through the '80s. And then, as I moved on to college, I thought I'd want to coach for sure.
The Harbor Area is everything - Carson, Wilmington, San Pedro, Long Beach, that whole little bubble that I grew up in. I always throw it up after I finish fighting, I always throw up the Harbor Area. Out of pride. It made me who I am. It brought me my goods; it brought me my bads. It molded me into who I am.
'Sag Harbor' was a very different book for me. It changed the way I thought about books that I wanted to do.
I always wanted to make a coming-of-age film, or something about growing up, like 'The Wonder Years,' 'Stand By Me' or 'Diner.'
I have a nostalgia for the years I was growing up and experiencing new things for the first time - so the late '80s and early '90s are always fascinating to me. Those were the times that I was being informed about a lot of my tastes, and so the memories are fused with a lot of emotion.
I started coming up to New York at age 17. There was a girl I met over the summer somewhere; I was chasing her. I would drive up to D.C., where I had made some friends, which was about four hours away, and we would take the bus up to New York.
When I was growing up in the '80s and working in the theater, David Mamet exploded with a whole new reworking of what dialogue should sound like. It was punchy and raw and repetitive, bursting with dynamic. I remember that switching on a lot of lights for me.
If I want to wear a V-neck T-shirt and some jeans with a little sag - not hood sag, then I'm just being me.
I like coming up with new characters. Whether it's revamping an old character no one likes or just coming up with brand-new stuff, that's kind of what excited me as an artist.
My parents weren't keen on me watching television when I was growing up, in the 70s and 80s, which is ironic given that I've ended up working in it.
We, in the New York Times, have not yet figured out how to grow our international readership. We started a website in China, which the Chinese government has blocked, but it has a pretty healthy readership. The Guardian, for instance, has gotten tremendous growth through its website in the US. We have to figure out how to go after readership in different parts of the world.
It sounds so negative of me to say, but I don't feel like there were many coming-of-age films when I was growing up. I think that when I was a teenager, I felt really misrepresented in the teenage roles that I was watching onscreen. Especially in women.
My mother was a P.E. teacher, and she was kind of a fanatic about fitness and nutrition growing up, so it was ingrained in me at a young age. As I get older, I'm finding out it's not about getting all buffed up and looking good. It's more about staying healthy and flexible.
I remember some stories had a very big impact on me, like 'The Little Train That Could,' which is about the importance of not giving up, and 'Little Toot,' about a playful tugboat in the New York harbor.
Growing up in a brand-new country, coming from the Philippines, was hard. I was treated differently and felt like people thought less of me because I was Asian.
This site uses cookies to ensure you get the best experience. More info...
Got it!