A Quote by Matthew Fox
I directed an episode of 'Party of Five' toward the very end of that show. It was a great experience.
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I think, with any kind of Netflix show, it's quite nice at the end of - just even watching the end of Episode 1, you have that kind of moment to yourself where you're like, 'Okay, I need to see the next episode here.'
The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
Larry David called me and said, "You can never watch The West Wing again. Either the show is going to be great without you and you're going to be miserable, or the show is going to be less than great without you and you're going to be miserable." So I had them send a tape of the first episode that I didn't do. I put it in the VCR and I don't think I got 15 seconds in before I leapt up and slammed it off! It felt like I was watching somebody make out with my girlfriend. I've never seen a West Wing episode in seasons five, six or seven.
When public policy is directed toward urban spaces, it is directed toward people who sit at the margins.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
Really, the idea of creating consistent quality of a show is complicated. It's not like making refrigerators. There's something very specific to each one of the shows, each episode of each show and that involves a really great team doing great work.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
When the premiere of the show came out, we threw a big party, and, like, five minutes into the party, me and Corey walked out of the party and said... 'No one's ever gonna watch this.'
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"
At least in the United States, most economic resentment is not directed toward billionaires or high-roller financiers - not even corrupt ones. It's directed at the guy down the hall who got a bigger raise. It's directed at the husband of your wife's sister, because he earns 20 percent more than you do.
The indifference, callousness and contempt that so many people exhibit toward animals is evil first because it results in great suffering in animals, and second because it results in an incalculably great impoverishment of the human spirit. All education should be directed toward the refinement of the individual's sensibilities in relation not only to one's fellow humans everywhere, but to all things whatsoever.
I did my acting performance in 'Roger Rabbit.' I think I did a voice-over also in 'Osmosis Jones' and I directed an episode of my show years ago, 'Tales from the Crypt' and that's my endeavors in the non-producer oriented ranks.
To a greater or lesser extent there goes on in every person a struggle between two forces: the longing for privacy and the urge to go places: the introversion, interest directed within oneself toward one's own inner life of vigorous thought and fancy; and extroversion, interest directed outward, toward the external world of people and tangible values.
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