A Quote by Matthew Good

Personal perception of perfection is like that. You see what you want to see. After awhile you just see what you need to. — © Matthew Good
Personal perception of perfection is like that. You see what you want to see. After awhile you just see what you need to.
If you want to find the real competition, just look in the mirror. After awhile you'll see your rivals scrambling for second place.
I want to see that 'Anita' documentary. I want to see 'Lovelace'; I want to see 'After Midnight,' because I saw the other two and I loved them. I thought the last one was great.
We see parts of each other, and we put them together. But if I want to see you in totality, you need to move away; we need space between us. Across the street, I can see all of you at once, but then I also see this huge vista of space surrounding you, coming in and compressing you.
Hopefully in 2011 the fans will get to see some fights that they want to see. Manny Pacquiao Vs. Floyd Mayweather needs to happen, and so does David Haye Vs. Wladimir Klitschko. The fans deserve to see fights that they want to see and not just the fights that the promoters want to see.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
I think the perception of me can be, you know, confused. But that's only because people only see that side of me when I'm at work, in front of the camera. So they don't see Miranda at home; they don't see behind the scenes. They see the glamour of it all but they don't see Miranda standing barefoot in a dirty old house.
I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
I just need green. I need to wake up and see grass and squirrels. I don't want to see skyscrapers.
I don't want to see an experiment. Experiment at home - when you show up on stage, I want to see a result. I think a lot of improvisers, you'll see them some nights and they just stink, and they go, "Well, we're just improvising." Like that's a license to have a shitty night!
When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'
I hate flatscreens. I don't want to see anything in that much pixilation. I don't need to see the pimple on someone's face. I love the world through glass. The more old, dusty and tainted that glass is, the prettier and more impressionistic that is to me. I don't need to see everything perfectly. I don't like it.
I just want to give my best in London, I want to cross that line and see a personal best on the clock then I will see what position I am in.
Therapists need to have a long experience in personal therapy to see what it's like to be on the other side of the couch and see what they find helpful or not helpful.
People don't want to see wrinkles, because if they see wrinkles in actors then they have to face that they have wrinkles, too. They'd rather see perfection up there. And so then you get rocket scientists who are 22 years old.
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