A Quote by Matthew Gray Gubler

With all comedy, you try to ground it in credibility and reality. — © Matthew Gray Gubler
With all comedy, you try to ground it in credibility and reality.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
With comedy, you have to do it right. In a drama, there's a lot of different ways to succeed in a moment. But comedy comes from reality. You can't try to be funny.
On dispersive ground, therefore, fight not. On facile ground, halt not. On contentious ground, attack not. On open ground, do not try to block the enemy's way. On the ground of intersecting highways, join hands with your allies. On serious ground, gather in plunder. In difficult ground, keep steadily on the march. On hemmed-in ground, resort to stratagem. On desperate ground, fight.
Getting started, keeping going, getting started again - in art and in life, it seems to me this is the essential rhythm not only of achievement but of survival, the ground of convinced action, the basis of self-esteem and the guarantee of credibility in your lives, credibility to yourselves as well as to others.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
I try to ground most of my characters in reality somehow. That's kind of what I bring to the table.
It's funny; we never had anything like credibility. Even though we all have some sort of punk-rock background, but so what? I really don't care about that. What's credibility anyway? Who has credibility?
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
I just like to keep things small and subtle and authentic, and ground everything in reality. So that is something that I feel is my strength as a director and I try to achieve as an actor.
The beauty of comedy is, when people come to a comedy club, there is a certain veil of reality suspended.
I was taught by a lot of great comedy writers to go for the reality in a role, and the comedy will come through.
I think sadness and anger are really fertile ground for comedy. No one is really interested in a happy person doing comedy.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
Comedy comes from tragedy, and being Iranian in America from 1979 on had been quite tragic. In stand-up comedy, I was able to take the reality and exaggerate it.
Some forms of reality are so horrible we refuse to face them, unless we are trapped into it by comedy. To label any subject unsuitable for comedy is to admit defeat.
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