A Quote by Matthew Gray Gubler

One day, I woke up, and I was on CBS in front of millions of people, and I'm like, 'Oh man, I don't know anything.' The only thing I'd ever technically studied was filmmaking. — © Matthew Gray Gubler
One day, I woke up, and I was on CBS in front of millions of people, and I'm like, 'Oh man, I don't know anything.' The only thing I'd ever technically studied was filmmaking.
I remember this one time I had a dream about me writing a screenplay, and when I woke up, you know those dreams that feel so real, but I woke up and I was like, 'Oh my god I have this amazing screenplay I need to write down as soon as I wake up' and then I woke up and I was like what the heck was I dreaming of?
We singer-songwriter people, we're used to getting up and doing our own thing in front of people, and we're it. We're the band, artist, writer, producer, front man. We're the whole thing. You develop, it's not smugness, but this self-reliance, that can limit your creativity. When you're willing and able to invite others into it, you wind up getting a piece of work that's bigger and better than anything you ever imagined it could be.
I used to sing like Nat King Cole. I mean he was the guy when I was comin' up, and you know, man, people used to say of me, "Damn, he sure do sound like Nat King Cole." But there was a day, and luckily for me it was early, when I woke up and asked myself, "Well, when are the ask me to sing because I sound like me?" So my advice is, never do anything that you don't like.
I kind of woke up one morning and was like, 'Oh I see what's happening, I get everything'. I woke up and was like, 'I get it, I'm a product.'
I remember telling my second-graders the basic 'Metamorphosis' story, saying, like, 'What about - what if a guy woke up one morning and he was a bug? Wouldn't that be weird?' And they loved that. And I think that was the trigger that made me think, like, 'Oh man, here's my audience. They're just a lot shorter than I ever thought they might be.'
It's a funny thing, 'The Office,' because millions and millions and millions and millions of people didn't watch it. But culturally, it is more of a phenomenon than almost anything else I can remember as far as British television is concerned.
If I do decide one day to stop acting, I just hate the idea of people going: 'Oh, did you ever do anything else besides that Twilight thing?'
Towards the end of summer 2013, when school ended, I decided to re-download all of my social media channels and make videos again. The next day, I woke up and had 9,000 followers. I did the same thing the next day and woke up with 54,000 followers.
What happened when you woke up?" "I was having a dream. I don’t know what it was, but when I woke up, I had this awful realization that I was awake. It hit me like a brick in the groin." "Like a brick in the groin, I see." "I didn't want to wake up. I was having a much better time asleep. And that's really sad. It was almost like a reverse nightmare, like when you wake up from a nightmare you're so relieved. I woke up into a nightmare." "And what is that nightmare, Craig?" "Life." "Life is a nightmare." "Yes.
You get more insight as you get older, on everything. I kind of woke up one morning and was like, 'Oh I see what's happening, I get everything'. I woke up and was like, 'I get it, I'm a product'.
I was only in second grade when the Russian Cosmonaut Yuri Gagarin became the first man in space. The night of his launch - April 12, 1961 - I went out onto the front porch and stared up at the stars, trying to see his capsule passing overhead. Like millions of others, I was enthralled by the idea of space exploration and have been ever since.
I don't view myself as powerful. I mean, I view myself as a person that like everybody else is fighting for survival. That's all I view myself as and I really view myself now as somewhat of a messenger. You know, this is a massive thing that's going on. These are millions and millions of people that have been disenfranchised from this country. I was in front of a group yesterday, at least 25,000 people. The place was going crazy, and I said, I'm like the messenger.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
When I was about 17, I didn't speak. English was like a foreign language. I'd just grunt. The only time I talked was when I said my lines on set. I didn't speak to any of the actors or anything. Then one day Alison from the Corrie press office started talking to me in the green room and I just decided to talk back. She ran upstairs to tell everyone that she'd just had a 10-minute conversation with me like it was the most unbelievable thing in the world. I just woke up one day and thought, 'I'm going to talk today'. I've really made up for lost time since.
Spend each day trying to be a little wiser than you were when you woke up. Day by day, and at the end of the day-if you live long enough-like most people, you will get out of life what you deserve.
My take on what happened with the moon landing was [......] they suspect [ sic ] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio.
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