A Quote by Matthew Healy

Along with John Hughes, he's probably the biggest influence. Would be awesome not only to meet him; he's one person I'd also definitely like to work with. — © Matthew Healy
Along with John Hughes, he's probably the biggest influence. Would be awesome not only to meet him; he's one person I'd also definitely like to work with.
The influence of John Hughes is fully felt in the melodrama 'Donnie Darko.' This first film written and directed by Richard Kelly is a wobbly cannonball of a movie that tries to go Mr. Hughes one better; it's like a Hughes version of a novel by Gabriel Garcia Marquez.
I would like to meet with Drake. I would love to meet him. He's from the city I'm from. I feel we share the same interests and I'm really just into his music and him as a person in general. He's great at what he does. I would want to meet Eminem. He was my first ever influence. The reason why I even started writing was because my mom bought me my first Eminem CD and I was glued from there.
When I think about him, I think about him as John and John Wick. I think of John Wick being the assassin part of John. I would say that guy has strong will; never gives up; he's kind; and there's honor about him. He's also a man of strength. There are even some vulnerabilities to him. Most importantly, he's good at his job.
Marlon Brando was the major influence in my life, though I never met him. And my father - we didn't get along, but he was an influence in terms of honesty and work ethic. That's the greatest compliment I could pay him.
First off, I love Woody Allen. His early movies, like 'Hannah and Her Sisters,' are incredible. I also love anything by Billy Wilder, Ron Howard and John Hughes. I really grew up on the Hughes films, which are the ones I go back and watch all the time, just to see how they were put together.
Des Bulpin discovered me and, along with my dad, would be the biggest influence on my career. I remember him telling me when I was 15 that Jermain Defoe and I would play together for England when we were older, and he hasn't been too far wrong.
I think saying 'a John Hughes movie' is just shorthand for a lot of people to say 'a coming-of-age story,' because I think, when you're of a certain age, that's what John Hughes means to you.
I'd say that Ray Charles is definitely the biggest influence on my singing. Also Marvin Gaye and Stevie Wonder.
Playing quarterback is a glamorous job. It's awesome. It's everything I dreamed it would be. But after a while, it loses its glamour. Somewhere along those 15 years, it becomes a job. Especially at the end, it became work. Game day was awesome, but all the rest of it was work.
There were a few things that, in rehearsal, any one of us might try. [John] Hughes would go, "I like that," to me spitting up in the air and catching it in my mouth. It was just something I did in a rehearsal and Molly [ Ringwald] went, "Ewww." And John went, "Can you do that again?" And I went all day long, and he was like, "Okay, let's do that."
Whatever happened to chivalry? Does it only exist in 80's movies? I want John Cusack holding a boombox outside my window. I wanna ride off on a lawnmower with Patrick Dempsey. I want Jake from Sixteen Candles waiting outside the church for me. I want Judd Nelson thrusting his fist into the air because he knows he got me. Just once I want my life to be like an 80's movie, preferably one with a really awesome musical number for no apparent reason. But no, no, John Hughes did not direct my life.
I was only in one of the John Hughes films, and I never saw the other ones. I didn't understand them. I kept hearing a really hip 40-year-old person talking in teenagers' mouths.
If I had to name one book that has had the most lasting influence on my work, I would pick 'The Big Sea' by Langston Hughes.
Even when a person is frightened by threats into doing something, the threats work only because the person has an instinct of fear. If he has not, or if, though having it, it is under his own control, the threat has no more influence upon him than light has in causing a person to see who has no eyes.
In the opening chapters of the Book of Revelation the Apostle John tells us how on the Isle of Patmos he was given an awesome vision of the Lord Jesus, risen from the dead. Then John says, 'When I saw Him, I fell at His feet as dead.' He tells us not only the vision itself, but the profound effect it had on him. It utterly prostrated him before the Lord until He came and laid His right hand on him and said 'Fear not.'
I think I draw most inspiration from writers like Richelle Mead and filmmakers like John Hughes. They both really understand the experience of being a teenager and how insistent and intense everything feels, but they're also smart, savvy, and fun.
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