A Quote by Matthew Healy

We've finished our debut album which has 14 tracks. We're very proud of the release and can't wait for people to hear it. — © Matthew Healy
We've finished our debut album which has 14 tracks. We're very proud of the release and can't wait for people to hear it.
It's a dream come true as I await the release of my debut single 'Krazy Konnection' with Salim Merchant and then my debut album!
I have worked with a lot of people, all very different creatives, helping me hone my craft and discover myself as an artist and the record I want to make. It's such an amazing process seeing and hearing the tracks that people could eventually be listening to on my debut album!
Joy Division finished the 1970s on a high. Our debut album, 'Unknown Pleasures,' was doing well; we'd just finished a hugely enjoyable and successful tour. The band's profile was higher than it had ever been, and it seemed to be growing by the day.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
I was quite emotional when I finished my lap, but had to wait for other drivers to cross the line to hear whether I'd actually done it. It feels very special, but I acknowledge that the old master, Nigel Mansell, took his 14 poles from only 16 races.
I hear an album so many times during the course of making it that when I've just finished it, I don't want to hear it again. After you've taken a little bit of time away from it, you can come back to it, which can be scary. I'm happy with 'Sonik Kicks,' man.
I feel like every album we make, that's our debut album.
Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.
SiriusXM has had my back ever since day one when I was making remixes in my dorm room at university, and it means a lot that they're supporting my music as I prepare to release my debut album, 'Cloud Nine.'
I just believed in 1979 that prog rock was finished. I just saw the handwriting on the wall. And I believed that if we continued in that direction, our career would be finished. So I kind of led the band to making 'Cornerstone,' which is an album from my point of view which was not trying to be necessarily softer, but more natural.
One of my first favorite records was the debut Garbage album, which I heard when I was very young. Shirley Manson is a great female vocalist and performer and I admire her for that.
When I am excited about a song I want to release it rather than wait to build up an album.
If tomorrow I want to release a rock album or I want to release a bachata album, nobody can tell me anything - why can't I?
We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.
I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them. Finally the Foo Fighters stuff happened when I just went to the studio down the street from my house and recorded some stuff in about five or six days, and all these people wanted to release it as an album. I wanted to release it on my own, with no photos and no names on it.
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