A Quote by Matthew Hussey
Women often try too hard to say what they think a man wants to hear, to like what he likes, to laugh at every joke, and get so nervous talking about themselves that nothing interesting comes out.
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Every time I hear a Republican talking about health care reform, they say the American people don't want it. They say it so much that I think they're beginning to try to convince themselves that it's true.
I think it's really hard to find a good women's magazine, and I like that Glamour is way more about what you want and not what your man wants. I don't really know what it's like to be a woman yet, so I wouldn't have too much insight, but I guess it would be a bit interesting to have more of that granny style in there. Because I think it should be easier for women to feel like they don't have to be conventionally attractive or think of flattering clothing before they think of fun clothing.
When I try to be funny, it always makes me more nervous that I'm trying too hard, and then my brain that already thinks too much jumps into hyper drive, and I light-speed start talking 'Star Trek' to someone who's talking 'Star Wars.' Anyway, it doesn't work out usually when I 'try' to be funny.
I do ballads that say what every man wants to say and that every woman wants to hear, or I do songs about social issues.
I think it's an uphill battle in every field. You hear late-night comedy is hard on women. And then you hear investment banking is hard on women. And tech is hard on women. And then you start digging, and you learn philosophy departments are hard on women!
I often think, no one wants to read this. No one wants to hear this. My own work makes me cringe sometimes, cringe in a "there's nothing I can do because it had to come out like this" kind of way.
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.
I think people think celebrities get babies really easily, like Angelina Jolie, but they don't hear about the ones who aren't successful because we don't like talking about it, it's too painful.
Customers will always be nervous about lock-in, and I think the experience they had particularly with a company like Oracle, where it's a really hard thing to get out of, and they're so hostile to their customers, that I think it's a concern for every enterprise.
That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!
You try to make every word count, so there's no doubt what you're talking about. When you're young, you waffle away. Well, I'm done with that. I think it's much more interesting to say just what you mean.
I have this problem where I get incredibly, miserably nervous every single show. This is part of why touring is so exhausting for me. I have not gotten to a place where it's like, "All right, here's another." It just doesn't feel workaday, at all, yet. It's kind of killing me, being so nervous so many hours of the day. After the show - we try to end on an anthemic note, and I try and let that be decisive, and I will often come back out for an encore a cappella, and that's where I try and take leave from the feelings of the stage. Trying, after I do that, to return to my life.
I would never talk just to be social. Now, to sit down with a bunch of engineers and talk about the latest concrete forming systems, that's really interesting. Talking with animal behaviorists or with someone who likes to sail, that's interesting. Information is interesting to me. But talking for the sake of talking, I find that quite boring.
The ultimate objective [of comedy] is to get a laugh, so if you can get a laugh off the fact that you did not get a laugh, then you've kinda saved the moment. Other professions don't have that luxury. You don't want to hear a brain surgeon say, "Man, am I so stupid! I cut on the wrong side of your head!!"
With silly stuff, it's seventy-five percent confidence. I always tell people that it's because I'm nervous about getting that next laugh and I need to hear it. I always want to condense a joke.
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