I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
Even if you're doing something that the studio sends you, or something that's based on a book or story, at the end of it all, you try to make whatever it is your own. This is based on my love of horror movies. Everything is based on something, in some way.
I've done a lot of movies based on real people, real situations, non-fiction books, magazine articles, life rights.
I exaggerate all our selves, our beings. I make fun of everything: of our life and what we are. But I don't tell jokes, really. I just exaggerate life, and it comes out funny.
In the movies, they make you look good and tough, but in real life, it's completely the opposite. I do these ueber roles, I think, because in real life I'm quite shy and reserved. In real life, I'm a dork.
It's my job to find the cornel of truth and then exaggerate, exaggerate, exaggerate until it's of an appropriate scale.
Most people who make movies are in real life a bitter disappointment. I, on the other hand, am so much better in real life.
The truth of the matter is movies are a reflection of life and violence is a real part of life. I don't think you could make movies exclusively where there was no violence.
When I saw 'Bully' and I was 11 or 12 years old I thought I could do this; I could make movies. Larry Clark's cinematography is very raw. It's also based on a true story. I think a lot of the movies I like are based on true stories.
[I]nstead of the usual "Why can't we make movies more like real life?" I think a more pertinent question is "Why can't real life be more like the movies?"
Usually I do everything reverse. I practice something in movies and then I try it in real life.
Real life is not like a movie. Even the best movies, the most rich, fleshed-out movies are not as rich and nuanced as detailed as real life or an actual human being.
War is more like a novel than it is like real life and that is its eternal fascination. It is a thing based on reality but invented, it is a dream made real, all the things that make a novel but not really life.
Stars make money on real movies. They make big money on real movies. To come into my world, I've got some M&Ms and some potato chips, and I'm asking you to move furniture.
I don't like violence, in reel or real life. I prefer the quiet, beautiful genre of movies where everything is rosy and pleasant. I stay away from extreme sadness in my scripts and, somehow, I can't make movies for kids.
I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.