A Quote by Matthew Lewis
I had a screen test and an audition for the role of Neville Longbottom. It wasn't a job at that point. It was just something I enjoyed doing. And it's hard to remember back then, really, that much. But I just remember loving it.
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I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
I believe this: If an actor wants a role or wants to work with somebody, then you do everything within reason to try to get that role. If they want you to audition, you audition. If they want you to screen-test, you screen-test. If they want you to come and tap-dance in their hallway, you tap-dance in their hallway.
I'll remember this to my grave. We all walked into a room to see the screen tests. The first screen test was Marion Hutton's. Then came Janis Paige [who ended up with a part in the film]. Then on the screen came Doris Day. I can only tell you, the screen just exploded. There was absolutely no question. A great star was born and the rest is history.
When I was at MIT, they had a beta test of Mosaic, the first popular browser. I remember looking at it, and there was a weather map or something. Now, in fairness to me, there weren't any websites then. But I remember saying, 'This is stupid - what's the point?' Now, of course, it's obvious.
When we look back over the landscape of our lives from any particular vantage point, we will find that the most valuable and the most precious things that we have ever enjoyed or experienced are caught up in the quality and quantity of the loving relationships that we have enjoyed. That if any time of life we look back and we have accomplished anything else in the world, financially or materially or politically or any other way, and we do not have high-quality loving relationships to fall back on and to remember and to think about and to enjoy, to that degree we have failed as human beings.
I tend to work in the mornings, then take a few hours off in the afternoon to walk the dog, and then come back and work in the evening. So, if I can remember my pre-dog walking music when I get back then that's fine, I'll kind of commit to those bits, but if I can't remember them I'll just move on to something else.
Actually when I was wounded and recovering in Japan. I went to church there and I remember on the air base where their hospital was, I remember coming out of that church and feeling like I had been - at that point I just felt very, very close to God and that I'd done the right thing with my life. And I knew I wasn't going back to Vietnam. I just knew I wasn't going back.
When you’re going through something hard and you start wondering where Allah is, just remember, the Teacher is always quiet during a test.
I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."
I just remember really loving words and writing about anything I could, and the way I'd remember things, like my library card number, was to make a melody.
I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
I'm surprised by how much I remember [on childhood on film]. I think it's just because I had these interesting moments. Of course, you never know when they're interesting moments, but there was a lot of stuff that I remember and have attached significance to later. I remember enough. I remember highlights.
I was impersonating people way, way, way early, as far back as I can remember. And I would do people on my street for my parents, I remember. And in school, I did the same thing with all the teachers. It was just like, I mean, it was something I loved to do. I don't think there was a time when I wasn't doing it. I was always doing it.
I think David Yates was just like, "You've got on with it for a few years, I'm gonna let you off the hook." And also, I think it's because the action side of stuff that we were doing, it was going to be very difficult to do all that with all the prosthetics on. It was gonna be hard work, and I think they just said, "You know what?" I think they put a level of trust in me, as well. They said, "You know, we're gonna let Neville Longbottom lose the fat suit, lose the teeth, lose the Adolf Hitler hair."
I remember getting into the plane, and I was kind of fearful. I didn't know why. I just felt like something was going to happen, and we landed and I thought that was interesting because I was just thinking we were going to crash. I just remember my feet touching the ground, and that's all I remember.
Because I haven't been in a band, I wasn't in that zone. I'm just a mom that needs to pick up her kids from school. I just don't remember what it is you do, what you wear. Even just doing photo sessions where you think, "I just don't remember how to do this."
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