A Quote by Matthew Lewis

You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character.
Obviously, when you're in theater, you have to be in character. You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character. In six months, 192 shows, those things did happen. And the experience of that, the ability to stay in character, I feel like I've learned a great deal.
Terrible things happen all of the time, and they can happen in a second. The best thing is to be prepared to react. If you try to control every little thing, you're going to end up miserable - and you're going to fail.
For the past several years, I have gone to sleep every night in this same little pocket, the most uneventful piece of time I could find. Same exact thing every night, night after night. Total silence. Absolutely nothing. That's why I chose it. I know for a fact nothing bad can happen to me in here.
I've never really been a character on TV. I think, if possible, you want to portray yourself. If you're in a situation where you're supposed to react, you need to react.
~When Valentina was not even 1 month old, my aunt [gave me the best advice]: 'Put her to sleep yourself every night. Sing to her and cradle her in your arms and sit by her side - every night. Because one day you won't be able to, and it's going to happen really fast.~
Every single night I'm nervous. You never know how the audience is going to react.
I want tap to be something danced in arenas. Sort of like a rock group. Other art forms happen every night. Take theater, opera; there's always opera happening every night.
Night terrors are very different from nightmares. A lot of people will think they're the same, but they're really not. Night terrors - you want to look at the time of night when you're having the problem. Night Terrors happen in deep sleep. Nightmares tend to happen in a lighter REM sleep.
Since ballet has such a solid classical framework, everything is supposed to be a very specific way, so you learn to look at things with an eye towards perfection. But in acting, it isn't always necessarily good to be like that - really magical things can happen when it's unexpected and messy.
When you're the lead of a series, things happen around you, and you react to them.
It's always funny to me how your movie becomes no longer yours and people interpret it how they want and react how they want to react to it, and it's fun to kind of watch that happen.
I know it's going to sound like a cliché, but the key of successful playing a role is to sort of keep it real and earnest and react the way that one would react in those situations. Where the disconnect between the movie and the audience would happen is if you go too big or too crazy with that stuff.
It's not like I'm out eating McDonald's and Del Taco every night. I eat good: my mom fixes dinner every single night - baked chicken, fish - she cooks a great meal every single night.
You are a human being, you do react. If you react to negativity, you also react to positivity.
'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hides the worst of human behavior.
Every band has an 'off' night once in a while - that's gonna happen.
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