A Quote by Matthew Lillard
I fired a bunch of people and kind of went back to my roots. I fired my agent - I had this big, fancy agent and a big fancy manager and a big fancy lawyer - and I went back to my first agent and said, "I want to go back to just being an actor."
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I peeled off La Brea and went home and instantly made a reservation to come back to New York. Essentially, I fired everybody that was in my life, my agent, my lawyer, my manager, my girlfriend and came back to New York.
When you have all the bells and whistles - you've got the big, fancy catering, you've got the big, fancy car service and the big, fancy trailer - it makes it very comfortable and everybody's making a lot of money. But that doesn't necessarily mean you're going to end up with a great film.
It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.
Sometimes you have to gag on fancy before you can appreciate plain, th' way I see it. For too many years, I ate fancy, I dressed fancy, I talked fancy. A while back, I decided to start talkin' th' way I was raised t' talk, and for th' first time in forty years, I can understand what I'm sayin'.
You want to look back on your career and see what you've achieved, not just have a fancy car and a big house.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
Garlic butter sounds fancy. It's not that fancy, but it tastes incredible. So I'm big on that.
I don't know fancy big words, because I didn't have a rich mother who sent her to fancy schools.
I sold 'Hattie Big Sky' without an agent but quickly realized a writing career required an agent.
So I did 'Celebrity Big Brother' and while I was locked in a house with crazy people I came out and Denise had actually gone to my agency and got with my agent. And my agent told me, hes like, 'Yeah, I have Denise Richards. That's so exciting, right?' I go, 'So basically you hired my competition. That's amazing.'
At one point, Lucille's agent wanted to have me fired, telling her that my eyes were bigger than hers. When I head this, I told her that if I had her looks and talent, I'd keep me and fire the agent!
The truth is few people “think” big and even fewer “play” big. Why? Because “big” often means big responsibilitie s, big hassles and big problems. They look at that “bigness” and shrink. They’re smaller than their problems. They back away from challenges. Ironically, they back themselves into the biggest problem of all ... being broke, or close to it.
People ask me if I'd permit fancy things, like dunks. Well, if they did dunk, it was with no fancy flair. No behind-the-back dribbles or passes unless necessary. If it was for show, you were on the bench.
I did Lois & Clark: The New Adventures Of Superman. It was a sequence where the president got captured and they made a doppelgänger of the president who was kind of goofy. They were Second City people who were the producers and writers, and they told my agent, "Well, we know Fred can do the kind of goofy, but we're not sure he can do be the straight president, kind of the Clinton-esque." So I really got my back up and I called my agent and I said, "Goddammit, I insist that I go in and read." And I did a great job and I got the part.
I signed with an acting agent first; I wasn't really interested in signing with a modeling agent. But that same day, they said, 'You should go over to Ford.'
Some years ago, I fired my agent, Andrew Wylie, alias The Jackal. I want to stress this wasn't an amicable parting of the ways or a hankering on my part for fresh representation. I fired him because his agency wasn't doing enough for me.
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