A Quote by Matthew Lillard
I like the fact that a modern television and modern drama on cable has characters that are really intricate and deep and have multiple layers.
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With drama, especially, it seems like the bigger the budgets and the edgier the characters, the more interesting they are. We're very lucky because 'Modern Family' wouldn't fit on cable: they'd want us to push it more and be edgier and turn it into something that it's not.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
Television is much more complex, brain-challenging and involved than it used to be. It's almost impossible to watch a television show from 15 years ago; it's just too boring. I think modern television shows, with their intricate plots, are stimulating our minds. This is one reason IQs have been going up.
I think modern television shows, with their intricate plots, are stimulating our minds. This is one reason IQs have been going up.
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.
It is often said that in today's modern and postmodern world that the forces of darkness are upon us. But I think not; in the Dark and the Deep there are truths that can always heal. It is not the forces of darkness but of shallowness that everywhere threaten the true, and the good, and the beautiful, and that ironically announce themselves as deep and profound. It is an exuberant and fearess shallowness that everywhere is the modern danger, the modern threat, and that everywhere nonetheless calls to us as savior.
I'm really interested in modern history, but to fulfill a History degree at Brown you have to do modern and pre-modern.
Perhaps these ancient observatories like Stonehenge perennially impress modern people because modern people have no idea how the Sun, Moon, or stars move. We are too busy watching evening television to care what's going on in the sky.
I don't know how many modern families watch 'Modern Family,' but then one of the points of 'Modern Family' is that it's hard to tell what a modern family is anymore, let alone what it does.
I believe television is going to be the test of the modern world, and that in this new opportunity to see beyond the range of our vision, we shall discover a new and unbearable disturbance of the modern peace, or a saving radiance in the sky. We shall stand or fall by television - of that I am quite sure.
A lot of times, people think of Asian culture as some mythical world instead of modern people with modern occupations with modern problems, modern tools. Like, we're not all just talking Taoism and kung fu - some people are just trying to get over their breakup with their boyfriend, and they're Facebook-stalking.
Are modern children going to revolt against being modern, and if so, what form will reaction of modern parents take?
I basically look like a lot of modern Orthodox people you know, but I work on a TV show where I sometimes have to kiss Jim Parsons. That's why I don't take on the title of modern Orthodox, but in terms of ideology and theology I pretty much sound like a liberal modern Orthodox person.
Modern multiple divorce is rooted in the fact that many are seeking in human relationships what human relationships can never give. Why do they have multiple divorce, instead of merely promiscuous affairs? Because they are seeking more than merely sexual relationship.
But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.
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